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San Francisco, CA Mar. 24 - Apr. 19 , 2009; GoldenGateTheatre /Cafe Du NordAfterShow
Topic Started: Oct 20 2008, 05:57 PM (999 Views)
mouser
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March 24 - April 19, 2009

The Golden Gate Theatre
At Golden Gate Ave. and 1192 Market St
San Francisco, CA 94102

(415) 512-7770‎

1 Taylor Street
San Francisco, CA 94102
415-551-2075

TICKETS: Premium Access Tickets can be purchased that will guarantee you Center Orchestra Seating + free drinks;.enjoy two complimentary beverages at our lobby bars. Just show your tickets to the Bartender and you're all set.
Box Office: 415-512-7770

Tickets range from $30 to $99 online at shnsf.com, through Ticketmaster by calling (415) 512-7770, at all Ticketmaster Ticket Centers and at the Orpheum Theatre Box Office (1192 Market at 8th St., Mon-Sat 10am - 6pm). Groups of 15 or more may order now by calling Group Sales at (415) 551-2020. To learn more about GREASE and other SHN shows, please visit www.shnsf.com


TICKETS GO UP FOR SALE ON DECEMBER 17, 2008 Taylor will not be performing on Friday, April 3 through Sunday, April 5

SEATING CAPACITY: 2400

SEATING CHART:

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THE VENUE:

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Stand beneath the sign climbing four stories high that has welcomed theatergoers for over 80 years. You imagine them in formal attire lining around the block for the Golden Gate Theatre's 1922 vaudeville opening. They clamor to see the Marx Brothers and rush screaming by to catch a glimpse of Frank Sinatra at the stage door. They flirt during a double feature and flock to see anything on the Cinerama wide screen. As entertainment evolved, the grand theatre with its magnificent stage and enviable acoustics was altered beyond recognition. Then, ten tons of steel, including an escalator, four tons of plaster, sheet rock, studs and insulation, plus four thousand square feet of plywood was painstakingly removed. The Golden Gate was restored to its original size and splendor to present live theater once again most recently, Broadway blockbusters

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From the outside you wouldn't be able to tell that the theatre inside is really nice. The seats are plush, the last row of each section has ample leg room, and the carvings on the ...‎

images courtesy of www.gamasutra.com and http://www.shnsf.com/theatres/index.asp?key=48

RESTAURANTS AND HOTELS:

http://travel.yahoo.com/p-travelguide-2971382-golden_gate_theatre_san_francisco-i Restaurants
1.
House of Prime Rib

2.
Bob's Donut & Pastry Shop

3.
Tu Lan

4.
Brandy Ho's Hunan Food

http://travel.yahoo.com/p-travelguide-2971382-golden_gate_theatre_san_francisco-i Hotels

POINTS OF INTEREST :


Fisherman's Wharf

Beach St & Embarcadero
San Francisco, CA 94133


Fisherman’s Wharf is San Francisco’s most popular destination. Known for its historic waterfront, delicious seafood, spectacular sights and unique shopping, Fisherman’s Wharf offers a wide array of things to do for everyone. Its' fabulous location in the 'City by the Bay', puts you within minutes of the Maritime Museum, Alcatraz, Coit Tower and everyone’s favorite, the world famous San Francisco Cable Car lines. Fisherman’s Wharf offers some of the most incredible views of the San Francisco Bay, the Golden Gate Bridge and the cityscape. You’ll find our climate equally as interesting as our geography with periodic blankets of fog and the most breathtaking sunsets in the world. Summer temperatures range in the high 60’s to the mid 80’s; winter temperatures average 10-20 degrees cooler.


------------------------------
City Tour : 6 hours


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Pier 39 : There are attractions galore at the Pier.

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http://www.affiliate.viator.com/brochure/product_show.jsp?ID=1010&PRODUCTID=1016&CODE=3177PIER39&AUID=2511

Your all-in-one PIER 39 Attraction Pass includes admission to Aquarium of the Bay, a one-hour San Francisco Bay Cruise, a ticket on the San Francisco Hop-on Hop-off Trolley Tour, Turbo Ride at Pier 39, PLUS, a PIER 39 Fun Pack!



MEDIA AND REVIEWS:

1. Video promotion : http://www.shnsf.com/shows/show.asp?key=18&subkey=937


2.

AMERICAN IDOL'S Taylor Hicks Stars As Teen Angel In 'GREASE'


Monday, December 8, 2008; Posted: 06:12 PM - by BWW News Desk


Tickets for the brand new production of GREASE, starring American Idol winner Taylor Hicks, go on sale Wednesday, December 17. Taylor Hicks made his debut on Broadway in the role of "Teen Angel" this past summer. GREASE will play the Golden Gate Theatre beginning Tuesday, March 24 through Sunday, April 19. This brand new production of GREASE will feature songs from the smash hit 1978 motion picture performed for the first time ever on stage. GREASE is presented as a part of the 2008-2009 Citibank Best of Broadway series season under the direction of Carole Shorenstein Hays.

Taylor Hicks achieved widespread fame in 2006 as a contestant on the hugely successful FOX singing competition "American Idol." On May 24, 2006, Hicks was named the winner of the fifth season of "Idol" with over 63.4 million votes in total. Winning the title over Katharine McPhee, the announcement was made during the live finale episode which aired to a worldwide audience of over 200 million viewers.

Born in Birmingham, Alabama, Taylor Hicks' passion for music began at an early age. He toured the Southeastern United States during his teenage years and released two independent albums. Known for his energetic performances with influences derived from classic soul, blues and R&B music, he quickly grew a large fan base among the millions of viewers and voters who tuned in to "Idol" each week. His fans ultimately dubbed themselves the "Soul Patrol."

Immediately following "Idol," Hicks signed a recording contract with 19 Records Limited / Arista Records. His debut single, "Do I Make You Proud," debuted in the #1 spot on the Billboard Hot 100 and was subsequently certified Gold. His eponymous debut album, Taylor Hicks was released on December 12, 2006 and debuted in the #2 spot on the Billboard 200 charts and was later certified as a Platinum Album. After signing a book deal with Random House, Hicks' memoir Heart Full of Soul: An Inspirational Memoir About Finding Your Voice and Finding Your Way was released in July 2007.

This new production of GREASE, which opened on Broadway on Sunday, August 19, 2007, was born out of NBC's landmark talent competition TV series, "Grease: You're The One That I Want." The weekly talent competition drew 90 million viewers, and America voted for its favorite contestants to play the lead roles of Sandy and Danny on Broadway. Directed and choreographed by two-time Tony Award-winner Kathleen Marshall (The Pajama Game, Wonderful Town), GREASE features book, music and lyrics by Jim Jacobs and Warren Casey.

After spending a hopelessly devoted summer with Sandy Dumbrowski, the new girl in town, Danny Zuko's world is thrown upside down when Sandy appears at Rydell High on the first day of school. What follows is a rock n' roll celebration of growin' up, cruisin' with friends and goin' steady. The new production of GREASE features songs from the smash hit 1978 motion picture for the first time ever in a Broadway production including "Sandy," the Academy Award nominated song "Hopelessly Devoted to You," "Grease" and "You're the One That I Want" - both of which were #1 hits on the Billboard Top 100 list. These songs will be heard in addition to the Jacobs/Casey songs made famous by the original stage production including "Summer Nights," "Greased Lightnin'" and "We Go Together."

GREASE features scenic design by Tony Award nominee Derek McLane (The Pajama Game), costume design by two-time Tony Award winner Martin Pakledinaz (Thoroughly Modern Millie, Kiss Me Kate), lighting design by Tony Award winner Kenneth Posner (The Coast of Utopia, Wicked) and sound design by Brian Ronan (Spring Awakening, Curtains).

To experience what goes on backstage at SHN shows, go to http://shnsf.com/podcast/index.asp and listen to Backstage, the SHN podcast series, to hear interviews with members of the creative teams or actors for all SHN productions.

Tickets for GREASE range in price from $30 to $99 and can be purchased online at shnsf.com, through Ticketmaster by calling (415) 512-7770, at all Ticketmaster Ticket Centers and at the Orpheum Theatre Box Office (1192 Market at 8th St., Mon-Sat 10am - 6pm). Groups of 15 or more may order now by calling Group Sales at (415) 551-2020. To learn more about GREASE and other SHN shows, please visit www.shnsf.com

PERFORMANCE SCHEDULE:
TUE - SAT at 8PM; WED, SAT & SUN at 2PM

SHN is the pre-eminent theatrical entertainment company in San Francisco and owns and operates the Curran, Orpheum and Golden Gate Theatres-San Francisco's premier theatrical venues. SHN's Best of Broadway theater series provides Bay Area audiences with pre-Broadway world premieres, original Broadway cast productions, award-winners and current hits fresh from Broadway. For information on all SHN shows, please visit www.shnsf.com.

3. Grease San Francisco Tickets

Get ready for "Those Summer Nights!" Grease is back on Broadway and RazorGator has great seats for every sensational performance at Brooks Atkinson Theater. Don't miss your chance to experience all the fun at Rydell High as Sandy, Danny and the rest of the gang sing your favorite Grease hits, from "Greased Lightning" to "You're the One That I Want." Exclusive Grease tickets are on sale now!

Buy your Hard-to-Get® Grease the musical tickets today!

Grease Customer Reviews
4.8 out of 5

4.


For Taylor Hicks, 'Grease' is the word
By Greg Archer
Special to The Examiner 3/23/09

Winning top honors on “American Idol” may have been heaven-sent, but from the looks of it, the blessings keep flowing for Taylor Hicks.
The 2006 “Idol” winner spreads his wings as the Teen Angel in a robust reinvention of one of the greatest Broadway musicals of all time. That would be “Grease,” which comes to life at the Golden Gate Theatre in San Francisco this week.

“This was a wonderful opportunity for me to study and understand great musical theater,” Hicks says of the show. He says the most difficult part of his learning curve was absorbing the creative rhythms of actors and actresses in general.

The revered show, which first hit Broadway in 1972, became one of the longest-running productions until “A Chorus Line” made a splash. But it’s always been heralded for its concept: star-crossed lovers (and their teen milieu) cherish rock ’n’ roll as the country craves a move out of 1950s conformity and social conservatism.

Still, even “Grease” has had to evolve with 21st-century touches. Hoping to use the distinctly one-of-a-kind rocket fuel that only reality television offers (read: mass exposure), this Broadway revamp was born from NBC’s ratings winner “Grease: You’re The One That I Want” in 2007.

Roughly 90 million viewers tuned in to the competition series, voting for their favorite performers to play lead characters Sandy and Danny. When all the dust settled, the reincarnated “Grease” also came loaded with songs from the 1978 hit movie it spawned.

For Hicks, the role couldn’t come at a better time. After nabbing top “Idol” honors in 2006, he was thrust into the spotlight and expected to produce musical miracles. He may have done that with his distinct bluesy style, but critics wondered if any “Idol” winner could reach the heights os Kelly Clarkson.

Some creative reshuffling took place after the release of Hicks’ self-titled first CD. He chucked Arista Records and went solo, producing his latest outing, “The Distance,” on his own. It just hit stores.

“Doing it on my own basically forced me to start over from scratch,” Hicks says. “And I had a great amount of time to reflect deeply on what I wanted to put on the record. The musicians on the album are basically Eric Clapton’s road band, so, for me, it was a dream come true.”

It wouldn’t be the first, and certainly not the last, he says.

“There’s good chemistry between the musicians and me and right now,” he says. “Artistically, I am right where I want to be with the record.”

Overall, Hicks believes perseverance and believing in himself pulled him through all along. And San Francisco may pull him farther, actually. In addition to some good local reviews he’s received from the new album, Hicks is set to perform at Café Du Nord on April 14.

In the meantime, rock ’n’ roll, still here to stay, should keep Hicks — and “Grease” fans — thoroughly happy through spring.

http://www.sfexaminer.com/entertainment/For-Taylor-Hicks-Grease-is-the-word--41668797.html


5.
Review: 'Grease' is still the word in musical theaterBy Pat Craig
Contra Costa Times
Posted: 03/26/2009 10:41:25 AM PDT
Updated: 03/26/2009 10:43:07 AM PDT
http://www.insidebayarea.com/theater-and-arts/ci_12002274

"Grease," the Satchel Paige of American musical comedy, returned to San Francisco on Wednesday, still throwing high-energy heat.

This latest incarnation of the nearly 40-year-old musical remains a prep school powerhouse, and provides a breathless run for the money, despite endless remodeling and rejiggering to make it work for those without first-hand knowledge of the fab-'50s.

For those who do recall the era, it's time to realize most of the cast is probably old enough to be your children or maybe even grandchildren. Still, "Grease" remains the word, and the powerful and powerfully talented cast, led by "American Idol's" Taylor Hicks, does the show justice, particularly in the singing and the dancing, choreographed by director Kathleen Marshall.
In fact, the only problem with this return of "Grease" is that it's the victim of its own multi-generational success. The book of the show has been doctored and re-doctored to exorcise lines that were once funny to those who remember the '50s, and replaced with more generic jokes that play well to all audiences.

The songs, too, reflect far more than the work of Jim Jacobs and Warren Casey, authors of the piece. The program for this production of "Grease" lists songwriting credits for four other writers in addition to Jacobs and Casey.

So what we get here is a little too much of a good thing, designed to satisfy the original fans as well as those who leaped on the Brylcreem


bandwagon during a later version of the story: The first or second movie versions of "Grease" or any of the dozens of revivals and road show tours of the musical (not to mention the "Grease" on ice show that passed through the Bay Area a few years ago).

It seems now, at least to those of us who have been around since near the beginning, that "Grease" has taken on a sort of pageant feel. It's almost as if those involved know the story has to cover certain things, but aren't quite sure exactly why.

The saving grace of "Grease," though, is that the musical is just so much fun. The current production is a spirited retelling of the story with some terrific cast members, including Hicks, who turns his fairly small role of "Teen Angel" into a wonderfully inventive bit of comedy.
The actors playing the high school kids are quite delightful, particularly Allie Schulz as Rizzo, Kate Morgan Chadwick as Frenchy and Will Blum as Roger.

The show also works very well on the minimal set by Derek McLane, which relies heavily on drops and lighting effects to create the numerous locations called for in the script.

As an experiment, it would be nice to see a production of "Grease" as it was when it opened on Broadway in the early '70s. But it's hard to imagine that happening since so much has passed beneath the oily comb since then.


6.
Grease' is no longer the word
By Karen D'Souza


Mercury News

Posted: 03/27/2009 12:00:00 AM PDT

http://www.mercurynews.com/celebrities/ci_12002156?nclick_check=1


A pop culture oil slick spilled into San Francisco's Golden Gate Theatre on Wednesday night under the guise of a revival of "Grease."

Admittedly more amusing than the mindless reality TV show that selected the leads for the revival, NBC's dreadfully dull "You're the One That I Want," this formulaic production is still neither sincere enough to be moving nor cheesy enough to qualify as kitsch. A perfunctory blast back to the age of poodle skirts and pompadours, this "Grease" has no spark.

Despite its pedigree, which includes two-time Tony Award winner Kathleen Marshall in the director's chair (she was also a celebrity judge on the reality show), this "Grease" is so not the one you want, the one you need. Starring former "American Idol" Taylor Hicks and Allie Schulz (baby Sandy as she was dubbed in the TV talent competition), this "Grease" is so bland and antiseptic that it makes "Wicked" look like Kafka.

Make no mistake, the score is still a charmer, and this Broadway revival is the first to feature four tunes composed for the 1978 movie version, including the title song and "You're the One That I Want." But that has the unintended effect of making you wish you had just stayed home and Netflixed some Olivia Newton-John and John Travolta action. Oh, yes, indeed.

But I digress. Devotees of the reality genre should note that Max Crumm and Laura Osnes, who won the TV competition and thus starred on Broadway (under the glare of withering

critical scorn), are not featured in this national touring production.

Instead we have the perky Emily Padgett as goody-two-shoes Sandy Dumbrowski and Eric Schneider as bad-boy Danny Zuko in a less than compelling take on the star-crossed romance.

Padgett has a lovely voice, but she comes off as a little more simpering than pure-hearted. And there's zilch chemistry between her and Schneider, who seems far too sensitive for the studly leader of the T-Birds. Alas, while both leads are fresh-faced and energetic, they never come close to making the characters their own.

Schulz, meanwhile, seems like a gamer, but she's clearly out of her depth as the brassy Rizzo. The actress just doesn't have the fire to pull off "There Are Worse Things I Could Do." In fact, of the Rydell High Gang, only Kelly Felthous — as saucy minx Marty — truly puts a stamp on the part. She's a first-class wiggler who finds the joy in the Pink Lady's high jinks.

In a rare bright spot, the personable Hicks lives up to his reputation as a silver-haired Southern fox. As Teen Angel, the velvet-voiced crooner gives the musical a much needed jolt of charisma that points out the va-va-va-voom factor that the rest of the production is missing.

One of the funniest zingers in the show comes when Hicks floats down from malt-shop heaven to keep Frenchy (Kate Morgan Chadwick) from becoming a "Beauty School Dropout." The tacky teeny-bopper turns to Hicks and gushes: "I voted for you," in a pithy nod to his "Idol" roots. (Speaking of which, hard-core members of the "Soul Patrol" will want to stay for his post-show mini-concert, a rendition of his new single "What's Right Is Right." RED ALERT FOR HICKS HEADS: He is not scheduled to perform in the April 3-5 shows.)


Don't get me wrong; Marshall has crafted a technically adept tuner, complete with taut choreography and eye-popping visuals, but the show lacks the heart to romance us. Certainly, there aren't enough pent-up emotions (and hormones) crackling onstage to make the "You're the One That I Want" number pop as hard as it ought to. And let's not even get into the rama lama ding dong.

Suffice to say, it better shape up, because we need a "Grease" that can keep us satisfied.

Contact Karen D'Souza at kdsouza@mercurynews.com or (408) 271-3772. Check out her theater reviews, feature stories and blog at www.mercurynews.com/karendsouza.


The upshot: So not the one that you want, the one you need, oh, yes indeed.

7.

Same Old Song and Dance

By Maggie Owens
Contributing Writer
Monday, March 30, 2009

A strange anticipation could be felt before the Golden Gate Theatre lifted its curtains-an anticipation foreign to most performances. The audience waited, not eager for what the performance could bring, but instead uniquely excited for what they knew it would bring. Once the orchestra opened with its first song, a collective gulp could be heard from the audience as if every member resisted singing along with the performers. Before it had even started, everyone unanimously agreed that "Grease" is, in fact, "the word."

This is because "Grease" is not merely an American musical. Having inspired a wildly popular film, a far less successful sequel featuring Michelle Pfeiffer, a multitude of sing-a-longs, many Bollywood reinterpretations and even a reality show (NBC's "Grease: You're the One that I Want!"), Grease has transcended its musical format and has now become an institution. Wherever you fall in the spectrum between musical fanatics and the Broadway phobic, you more than likely know a little something about "Grease."

This unwavering popularity is more of a curse than a blessing for "Grease" at San Francisco's Golden Gate Theatre. Before tough-guy Danny Zuko (Eric Schneider) graces the stage, the audience already knows him. Schneider therefore faced must compete with every other Danny Zuko the audience has ever encountered. Though a talented singer and dancer, he falls short. Having made his Broadway debut as Frankie Valli in "Jersey Boys," he seems to be a natural for the role of the high-pitched singer but less prepared to pull off Zuko's big-man-on-campus appeal.

The same can be said for all of the T-Birds: Zuko's right-hand-man Kenickie (David Ruffin), the over-confident Sonny (Nick Verina), the troublemaker Roger (Will Blum) and the guitar-playing Doody (Brian Crum) are all fabulous performers but not necessarily tough guys. This is most clear during the "Greased Lightning" sequence when all five T-Birds fix up Kenickie's mangy old car through harmonies and jazz hands. The original T-Birds would rather be caught dead than be seen with these wusses.

When Zuko's summer love, Sandy Dumbrowski (Emily Padgett) enrolls at his school, her squeaky-clean lifestyle and reputation threaten his rebellious exterior. Though there is no doubt that Padgett can sing (her interpretation of "Hopelessly Devoted To You" brings down the house), her Sandy is more rigid than ever. Ultimately, she is unlikable, and the Dumbrowski/Zuko romance, one that is supposed to be a rollercoaster, becomes a nuisance to watch unfold.

Even though the costumes are lavish (the prom scene is an explosion of rainbow taffeta and involves more skirt-lifting than imaginable) and the sets adequately tell a 1950s love story, it's all been done before.

The only sense of creativity comes from one man: Taylor Hicks. In the infamous scene where Pink Lady Frenchy (Kate Morgan Chadwick) has dropped out of beauty school, her guardian angel ("American Idol" winner Taylor Hicks) arrives to encourage her. He breaks the fourth wall by ditching the doo-wap sound and bringing in his harmonica. Frenchy even squeaks "I voted for you." It may seem Hicks didn't get into character, but he actually presents something original and saves the performance from going stale.
A lack of originality definitely won't deter diehard "Grease" fans from buying tickets. In fact, they'll probably be even more excited for the same beloved performance that has had audiences "hand-jiving" for decades. But, still, why see it here? What does this particular show have to offer individually?

Theater thrives on recreation and reinterpretation. These elements make the difference between the pages of a script and the freshness and relevance of a performance. So much has changed since the 1972 Broadway debut of "Grease," so it seems only sensible that some elements of the performance would evolve with time, too. I fear to ask: Is Taylor Hicks the only new thing to emerge in the last 37 years?



http://www.dailycal.org/article/105001/same_old_song_and_dance

8. View from The Bay Appearances:
View From the Bay credit to istersay

March 27, 2009


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Revisited on April 10, 2009





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9. Bay Sunday



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SOUL PATROL MEMORIES:


1. BabyDoll

The Golden Gate Theatre is around the corner from The Warfield - On Taylor Street! HA!

2. lisaisheretoday

Standouts on the cast: Allie Schulz (as Rizo) and Brian Crum (as Doody, who sings "Those Magic Changes" http://www.youtube.com/watch?v=kjZNZriWqFY <-someone else singing the song but I love the song and had to post it).

But Taylor was the best part. :) Jeeze what a ham. Loved it!

After the show he did a great job on WRIR.

He was very kind and chatty at the m&g.

There was a HUGE crowd waiting for him outside the stage door.

All in all, it was a really, really fun night at a show in the city!


3. berney

When the last number ended the character "Kenickie" announced to the audience that they were taking donations in the lobby after the show for an AIDS/Cancer charity drive. Then Vince Fontaine came out and announced that they were going from 1959 to 2009 and introduced Taylor and his new single. I made a point to look around the whole venue (since I was up front near the stage) and NO ONE got up and left. Taylor came on and nailed WRIR. I have to say that he is larger than life on that stage! Halfway through the song (during the part where the sax plays) he made a quick announcement about the AIDS donation in the lobby. This man can definitely multi-task during a song performance!


4. taylorgotsoul1
Asoul patroler went to the show on the 12th..Taylor was awesome and he sang what's right is right but what made her heart feell good that The Distance CD was flying off the souverner table...The soul patrol fan saw alot of people buy the CD on their way out

5. FROM TAYLOR ON HIS TWITTER ACCOUNT:
"Twitterings From The Cone" I will be Twittering from the cone. I'm in the Cone now. Sinse its my Virgin Twitter it might as well be a ...
about 14 hours ago from txt


5, Video by rugratnat14 of Taylor signing CD's after the Grease performance:

http://www.youtube.com/watch?v=P4xcasJyMxQ

6. Dennis Ho

. Fiona ....and I went to see Grease the musical. And yes, Taylor Hicks was in it. He sang one song, but he did it pretty well. They even added a little American Idol joke to the script. The show exceeded our expectations. It was funny, lively, and way raunchier than the original movie. In the end, we really enjoyed it and Taylor Hicks even signed our Playbills! ....


7. soulpatrol
.... My mom asked him if he has met Frankie Avalon? he said no, but if he did mabey he could come take over his role for a few days and give him a little break. He talked about how much he enjoys what he is doing rite now, and he likes promoting his new CD like this. It gives him a chance to be with all these people and performing with a big audience. He said after Grease he will probably take a couple months off and then do a tour for " The Distance".


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