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San Diego, CA Mar. 3 - 8 , 2009; Civic Theatre /Belly Up Aftershow
Topic Started: Sep 26 2008, 07:38 PM (751 Views)
mouser
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FIFTIES QUESTION:

In the song, "He's So fine" by The Chiffons, why do they say he's fine?

a. Because he's softspoken
b. Because he's so handsome
c. Because he's rich



---------------------------------

March 3 - March 8, 2009

Civic Theatre

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1100 3rd Ave
San Diego, CA 92101
(619) 570-1100


TICKETS: On Sale Friday, November 14th at 10am

Pricing (includes $2.50 Facility Restoration Fee)
$84.00 - $18.00

Box Office: 619-570-1100

http://events.nbcsandiego.com/san-diego-ca/events/show/85363986-grease

GREASE
March 3-8, 2009

Time Magazine's 2007 pick for "#1 Musical of the Year" is rockin' across the country with a new production direct from Broadway!
Take a trip back to simpler times of poodle skirts, drive-ins and T-birds and hear some of your favorite songs like Greased Lightnin', Hopelessly Devoted to You and You're the One that I Want, as you watch "Bad Boy" Danny and "The Girl Next Door" Sandy fall in love all over again!
American Idol Winner TAYLOR HICKS stars as "Teen Angel".
Mild Adult Content

RUN TIME 2 1/4 hrs.
CHILDREN
All ages must have their own ticket in same section as parent / adult.

March 3, 7:00 PM
March 4, 7:00 PM
March 5, 7:30 PM
March 6, 8:00 PM
March 7, 2:00 PM
March 7, 8:00 PM
March 8, 1:00 PM
March 8, 6:00 PM



SEATING CAPACITY: 2967

SEATING CHART:

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http://www.broadwaysd.com/CivicDetailedSeatingChart.pdf Detailed chart

THE VENUE:

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San Diego's performing arts venue is home to the San Diego Opera and California Ballet. It also hosts several annual community events throughout the year. 'San Diego Theaters', is non profit organisation and they aim to provide the public with world class theatre experiences.
San Diego Theatres was established in 2003 by the San Diego Convention Center Corporation as a subsidiary non-profit corporation. The strategy of San Diego Theatres is to position itself for growth and future independence as a fully independent stand-alone entity. This is a model that will allow us to capitalize on years of service to the community, while advancing into the future with focused determination to proactively improve the performing arts experience for the citizens of the greater San Diego region.

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The San Diego Civic Theatre is the region's largest and greatest attended performing arts venue. The Civic Theatre is owned by the City of San Diego and is managed and operated by San Diego Theatres on behalf of the community.

Opened in January 1965, the Civic Theatre has hosted the world's finest talents in the fields of opera, classical music, dance, comedians, contemporary music, and Broadway. Additionally, it has served as a community gathering place for inaugurations, governmental addresses, religious services, political activities, lectures, educational presentations, and corporate meetings.

The Civic Theatre's primary producers and presenters include the San Diego Opera, Broadway/San Diego, La Jolla Music Society, and California Ballet.

images courtesy of http://www.sandiegotheatres.org/

RESTAURANTS AND HOTELS:

http://travel.yahoo.com/p-travelguide-3154133-san_diego_civic_theatre_san_diego-i Restaurants and Hotels


POINTS OF INTEREST:


San Diego Maritime Museum:
(619) 234-9153
1306 North Harbor Dr., west of Ash St. in Downtown. Historic ships are the highlight of this museum. Featuring the "Star of India" (134 year-old British Barque), the oldest and largest clipper on the West Coast. The museum holds various events throughout the year, such as theatrical performances and movies on the Star of India. Admission is $5, senior citizen and military $4.



Balboa Park
:

Balboa Park is a 1,200 acre (4.9 km²) urban cultural park in San Diego California, United States. Unlike some city parks which are mostly free of buildings in favor of open space and recreational fields (e.g. New York's Central Park), Balboa Park is NOT a cultural complex.

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Besides open areas and natural vegetation, it contains a variety of cultural attractions including museums, theaters, gardens, shops and restaurants as well as the world-renowned San Diego Zoo. Balboa Park has been declared a National Historic Landmark.

The park is managed and maintained by the English 101 students of San Diego City College and the trained monkeys from San Diego Zoo.
Many of the park's attractions are along El Prado, a long, wide promenade running through the center of the park. Most of the buildings lining this street are in the Spanish Revival style, a richly ornamented eclectic mixture of Spanish and Latin American architecture.



MEDIA AND REVIEWS:


1.

Taylor Hicks: 'Idol' turns Angel for 'Grease,' plans solo gig
By PATRICIA MORRIS BUCKLEY - For the North County Times | Wednesday, February 25, 2009 9:11 AM PST ∞

Taylor Hicks in "Grease." When Taylor Hicks won Season 5 of "American Idol," he didn't just ride on the 63.4 million votes that helped him secure the title. Oh, no. While on the "American Idol" tour with the other finalists, he was already beginning to promote himself as a solo artist.

"I had my band follow me, and we did shows after the 'American Idol' concerts," he said. "It was like a shadow tour. It's a wonderful way to kick-start a record."
That strategy worked well for him (his first recording, "Taylor Hicks," went platinum), so he's repeating it while on the "Grease" national tour, which arrives in San Diego on Tuesday.

On March 5, after performing in "Grease" at the San Diego Civic Theatre, he'll head up to the Belly Up Tavern in Solana Beach for a solo concert featuring songs from his new CD "The Distance," which will be released March 10.

When Hicks stepped into the role of Teen Angel in the Broadway production of "Grease," he had never acted before. But the role (played by Frankie Avalon in the film) is small. He comes onstage to cheer up the confused character of Frenchie, then leaves after singing one song ---- "Beauty School Dropout."
"I had been offered many roles, but this one was a great introduction to acting and musical theater," Hicks said. "I wanted to pick the right part to get my feet wet. This one has allowed me to learn and get experience."

The producers also encouraged Hicks, known for singing R&B and soul, to tailor the role to his musical strengths.

"They allowed me to write some R&B horn lines, which is key for me," he said. "It's wonderful to have that outlet for me to create the role."
Hicks is following in the footsteps of other "American Idol" contestants by tackling theater, including Clay Aiken, Fantasia Barrino, Diana DeGarmo, Josh Strickland, Frenchie Davis and Tamyra Gray. He sees the transition as a natural one.

"The TV show is about singing and entertaining people," he explained. "We needed to be able to do both to do well on the show."
Hicks will be doing both as he introduces his new album next month. He will end each performance of "Grease" by performing the first single from his new CD, "What's Right is Right." Those who like what they hear are invited to join him at the Belly Up for more on March 5.

"Audiences will experience me in the Teen Angel role for 30 minutes, then 30 minutes later experience me as me," he said. "It's a one-two punch. It will appeal to fans both old and new. It's a soulful song, one of those ones that sticks with you."
Hicks took his time with this album. He wrote 70 percent of the songs and spent a lot of time selecting the other songs.

"I really took the time to pick and record the songs I wanted to record," he said. "I really enjoyed the process. I tried to touch all the styles that have influenced me. I got some great players as well. I wanted to put together a timeless, classic record."
Hicks admits that he still watches "American Idol," although it's usually quick glimpses before going onstage. So far, he has no favorites in this year's competition. His experience on the show is still something he's grateful for.

"I'd do it all over again," he admitted. "I love the idea of it. It's a wonderful platform to start from. It gives you many opportunities, from singing, to acting and musicals. I've been blessed to be part of it."[url]

http://www.nctimes.com/articles/2009/03/01/entertainment/theater/za03cfc1b01f7215288257566007d967f.txt[/url]

2.

San Diego Arts
"Grease" at the Civic Theatre
Here "Hicks" is the word


By Don Braunagel
Posted on Fri, Mar 6th, 2009
Last updated Fri, Mar 6th, 2009




First, full disclosure: I’ve always been a curmudgeon when it comes to “Grease.” I believe the message it transmits to callow youths, of whatever age, is a terrible one: Nice girls have to become slutty to win their guy.


That complaint, of course, means nothing to the legions of fans who have embraced the musical spoof of ‘50s music and high school mores since its 1972 Broadway debut — after which it went on to become, for more than a decade, the White Way’s longest-running musical. It subsequently got a revival and national tour in 1994, and another in 2007. The tour of that latest edition is now at the Civic Theatre, presented by Broadway/San Diego.


It features what, in the trade, is called “gimmick casting” — attempting to attract new fans to a show by giving a prominent role to a film or TV star who has marquee value but little or no stage experience. The gimmick in this production is Taylor Hicks, the season-five winner on “American Idol,” and this time it works because he sings well and, as Teen Angel, he has to contribute only one song, “Beauty School Dropout.”

If, however, his followers find that insufficient, he comes back for a post-show rendition of his newest recording, “What’s Right Is Right.” There’s also pre-show entertainment. Dominic Fortuna, who’s in the cast as the DJ, vocalizes some oldies and engages the audience in sing- and dance-alongs


This “Grease” needs the supplements. While it was smart to revise the score, adding several of the hit songs from the wildly popular film (including the title number), each version of the musical has sanitized it a bit more, to make it family-friendlier (the only f-word, used once, is “friggin’”). And that process has subtracted most of what little social significance — clashing high school values — it had.


So it’s now just a confection, a bunch of 20- or 30-somethings caricaturizing teens and offering nostalgia for those who recall “submarine races,” CYO groups, not eating meat on Fridays, and school dances where the local DJ hit on his fangirls.


The thin “Grease” storyline, as anyone who cares knows, concerns the on-and-off romance of Sandy the virgin and Danny the gang leader. After meeting in the summer and having a brief romance, they find themselves in the same school, where Danny — trying to act cool in front of his buddies — rejects her. Sandy then tries to fit in by joining with the girl gang in smoking, drinking and ear piercing while Danny tries to reform by joining the track team.


It’s fortunate that the score is filled with familiar numbers, like “Summer Nights,” “Hopelessly Devoted to You” and “We Go Together,” because the singing and dancing provide the only sparkle in this production. Eric Schneider and Emily Padgett, separately or together in the central roles, exhibit little electricity or chemistry, seemingly cast for their dancing skills more than anything else. And Allie Schulz, in the showy role of round-heels Betty Rizzo, demonstrates neither the requisite toughness nor vulnerability.


Schulz also gets shortchanged by the musical arrangement of her big number, “There Are Worse Things I Could Do.” It’s better as a reflective, poignant ballad than the tough statement of defiance it is here. The rest of the cast, under Kathleen Marshall’s loose direction, generally overdoes the spoofery. Satire, to be most effective, requires that you sound like you believe what you’re saying. Marshall’s choreography, on the other hand, dazzles throughout. It’s especially impressive in the athleticism during the car transformation in “Greased Lightning” and the coordinated kineticism of “Born to Hand-Jive.”


The capable tech work is topped by Derek McLane’s scenic design. Most notable are a backdrop, depicting a drive-in movie, that features a montage of cool vintage cars, and the “Beauty School Dropout” scene. Said dropout is outside a burger joint, wishing she had a guardian angel to advise her. Then a giant swirly-ice-cream cone above the restaurant descends and opens up to reveal Hicks, flanked by the cone sections that now look like angels’ wings.

Still, it’s not a good sign if the scenery sticks in the memory more than the performance. Perhaps the best commentary on that came at the end of the evening. The standing ovation, which is de rigueur these days, was slow, tentative and way short of unanimous.


Dates : March 3-8
Organization : Broadway/San Diego
Phone : 619-564-3000
Production Type : Play
Region : Downtown
URL : http://www.broadwaysd.com
Venue : San Diego Civic Theatre, 202 C Street, San Diego


About the author: Don Braunagel has been theater critic and columnist for San Diego Magazine since 1995 and has reviewed theater for Variety, Daily Variety, the Los Angeles Times and the San Diego Tribune from 1980 until the paper's merger with the San Diego Union in 1992. Before that, he was entertainment editor and theater critic for the Oakland Press in Pontiac, MI. He's reviewed myriad productions in London, New York, Toronto and Stratford, Ontario, and in theaters across the United States, from Ashland to Asolo. San Diego theater, he is certain, ranks with the best.

http://www.sandiego.com/index.php?option=com_sdca&target=e37ea602-d752-4c63-80af-37e1ed36d7d8

3.

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(March 5, 2009) CORONADO, Calif., -- Singer Taylor Hicks of the T.V. show American Idol fame signed autographs for military members and thier families during a meet and greet at the Navy Exchange aboard Naval Air Station North Island. U.S. Navy photo by Mass Communication Specialist 3rd Class Amanda Williams.

http://navycompass.com/content/view/1114/322/

SOUL PATROL MEMORIES:


1. taylorfan06

Being on the West coast, I feel so lucky to have the opportunity to see him in person. As a matter of fact, I actually did meet him again last night as he was going in the backstage entrance for “Grease” at the Civic Theater in San Diego. My friend and I waited over an hour to finally see him arrive with his driver in a black SUV. He’s really is handsome in person and looked real thin. I think his schedule is doing a great job of keeping the weight off. Anyway, he was gracious to take a few pictures and sign autographs before he headed in.

By the amount of people heading to the theater, it appeared that there would be a good size crowd inside. Talking with people involved in the production, many good things were said about Taylor and the response he get from the audience.

Posted Imagecourtesy of PaytheDevil

2. griz

I went to see Grease today and he was loved by all who attended with the biggest applause of the show and they just ate him up after he came out and sang WRIR. He was brilliant!! And the love at the stage door.. there were at least 75-100 people there.

3. PaytheDevil

Huge applause after he sang WRIR. Everyone wanted to know if they could purchase the CD. It was a great night.....The huge theater seemed sold out

4. CALTAYFAN

At the finale, he came out to sing "Grease is the Word" then went scurrying offstage before hand jive so he could change. He appeared for the curtain call with jeans and Teen Angel jacket - - then changed to another jacket to reappear as "himself" and sing WRIR. The audience was rapt with attention as he sang. It was perfection!

...There was a man sitting next to us taking notes - - obviously from the press. As he got up to leave when it was over, I said to him "I guess you know who we came for!" and he cracked up! There was no doubt by the audience reaction that a LOT of people had come for Taylor. What a great experience!!


AfterShow Autographs: PayTheDevil Video


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mouser
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March 5, 2009 9:30 PM PST performance

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Belly Up Tavern
143 S. Cedros Ave
Solana Beach, CA 92075

(858)481-8140


TICKETS:
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$35 in advance -$37day of show

Call at the box office or go in person
You must be 21 or older to visit the Belly Up
on sale at noon Jan. 30; (858) 481-8140 or bellyup.com.


SEATING INFORMATION: GENERAL ADMISSION
Reception capacity of 600 and seating for 150-200 people

THE VENUE:

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The internationally acclaimed Belly Up Tavern located in Solana Beach, has a long history of bringing great live music to the San Diego area. The Belly Up has been continually voted “San Diego’s Best Live Music Venue” by several publications including the Union Tribune, The Reader and San Diego Magazine as well as heralded as one of the hottest clubs on the west coast by Rolling Stone Magazine.

The Belly Up is a live music venue, located in Solana Beach, California. We have all types of music almost every night. We do serve limited bar food and alcohol as well. The box office is open from noon until end of show on nights of shows. When we do not have a show, the box office is open from noon – 5pm. You may also step next door to the Wild Note Café, our neighborhood bistro-style restaurant with exciting food.
Parking is free at the Belly Up, and is located right on the side of the club. Street parking is also available.

The Belly Up puts its credentials right on the walls with a massive collection of pop art posters promoting the incredible diversity of bands that have played at this San Diego music institution.
An intelligent layout insures that basically everyone in the club can see the performers even when the place is at capacity, but be prepared to pay extra if you want to sit in the VIP second-floor area overlooking the stage. The intimacy of the venue ensures that you’re right next to the bands and the speakers, so make sure you bring your earplugs and dress lightly because the place gets hot when it’s packed.http://culturemob.com/venues/1662-ca-san-diego-92101-belly-up-tavern

DIRECTIONS FROM GREASE VENUE:


OPENING ACT:

The Styletones

Posted Imagecourtesy of ted coakley III

Transcendent of time and space, The Styletones are what could of been, what should be today, and what you need to see. The Styletones combine the power of drums, guitar, bass,organ, the amazing vocal stylings of Steve Harris, and a horn section that will steal your walk of shame breakfast (before you even order it). This hard soul sensation will provide the soundtrack for the best night of your life without regard to curfew, sex laws, or justice for your guilty pleasures. Goes well with: Sly and the Family Stone, The Meters, your favorite rare soul/funk compilations. Features ex-members of (or touring musicians with): Pocket, Jason Mraz, Karl Denson, Big Daddy Kane, The Price of Dope, and Bad Credit.

Steve Harris--> Vocals.
Ben Moore--> B3 & piano.
Jake Najor--> Drums.
Bill Thomas--> Bass.
Deron Gant--> Guitar.
Andy Geib -->Trombone.
Gabriel Sundy -->Saxes.
Derek Cannon --> Trumpet.


Emily Ruth says: You guys are UNBELIEVABLY FUNKY! Your show at Bar Pink was amazing. San Diego is a better place now that you guys are together

SET LIST:


The Distance
Give Me Tonight
Heaven Knows - New arrangement than previous tour. This one relies on the musicians more.
The Maze
- Wild World ( Cat Stevens )
- Did Ye Get Healed ( Van Morrison )
Heart and Soul
- Brown-Eyed Handsome Man
- Lodi ( Credence Clearwater Revival )
Woman's Got to Have It
Gonna Move
- Big Jet Airliner ( Paul Pena )
I Live on a Battlefield -
- Love Coming On Strong ( Trace Atkins/ Brenda Lee ? )
The Deal
Seven Mile Breakdown
- Willie Brown
Hide nor Hair
What's Right Is Right
Soul Thing
- Eastbound and Down ( Jerry Reed )

ENCORE.... "My Sweet Lord " ( Billy Preston and George Harrison )




CAST OF CHARACTERS:
JOSH SMITH: guitar, musical director
BRIAN GALLAGHER: sax / flute
KENNY CROUCH : keyboard/ organ
GARY NOVAK : drummer
MIKE MENNELL : bass guitar


MEDIA:
1.
http://www.bellyup.com/artists/detail/taylor-hicks

Upcoming Shows: March 05 @ Belly Up

Born in Birmingham, AL, and raised in Hoover, Hicks grew up listening to classic soul artists such as Otis Redding and Sam Cooke—which he said he could to relate to even as a child due to the divorce of his parents and other troubles—and singer/songwriters like Van Morrison, Bob Seger, and Billy Joel. His chief influence, however, was Ray Charles, whom he admired so much that he carried a little statue of Charles with him whenever he performed.
Though Hicks had no formal musical training, he picked up singing, guitar, and harmonica on his own. He began performing for his family at an early age and won a talent contest at his high school (at which time his hair started turning gray). While studying business, communication, and marketing at Auburn University, Hicks formed the Passing Through band, and left school early to try his luck in Nashville. As a touring performer, he opened for artists ranging from James Brown to Drive-By Truckers and also performed at the Playboy Mansion. Hicks released two albums with his band: In Your Time, a live album, and Under the Radar.
In 2005, he auditioned for American Idol; the Memphis tryouts were so crowded that Hicks couldn’t get in, so he went to the Las Vegas auditions. Despite the doubts of judge Simon Cowell, Hicks’ differences from the typical pop star look and sound worked for him rather than against him in the competition, and his performances of “Levon,” “Living for the City,” and “Dancing in the Dark” helped put him over the top.
After winning American Idol, Hicks signed a record deal with Clive Davis and 19 Recordings Unlimited, and released the single Do I Make You Proud that summer. Hicks also performed with the American Idol tour and began work on his major-label debut album. His self-titled debut arrived in late 2006. Live at the Workplay Theatre, a concert album recorded in summer 2006, was released in 2007.

What are your policies regarding photo/video/audio?
Recording policies are at the bands discretion and change night to night. You may bring your camera with the understanding that you might need to check it with us for the duration of the show.

2.

Some of these comments shows the naivete of this lady, but she will learn all about Taylor if she continues to view his performances and listen to his CD.


Taylor Hicks’ Soul Patrol Hits the Belly Up Tavern

The Belly Up Tavern - Solana Beach, CA
03/05/2009



The house is packed for this former American Idol. He’s in town for his starring role
in the Grease musical which is currently in San Diego and will continue to hit the West Coast until the end of May. Not only is Taylor making his way around the country with Grease but he’s also out promoting his newest release that will drop March 10th title The Distance. you may be hearing his newest single of The Distance called “What’s Right is Right.”

The audience is on the older side compared to most concerts that I attend. I would say it was also an even split of males and females. I was sitting next to a group of very vocal older women. I am talking these ladies were in their 60’s or 70’s. It appeared that there were generations of women there too. For example, mom, daughter, and grandma would be in packs in the audience. I would say Taylor Hicks would make a great family outing, but too bad this show was 21+. FYI: Taylor Hicks drink Budweiser.

I have a confession to make, I didn’t watch American Idol when Taylor was on it. I almost wish I did, but on the other hand, I have this clean perspective on him. He is a very talented performer, and he also has that natural ability to woo women in the audience. I know this because I was very taken with him. He also has an abundance of energy. He didn’t really stop moving which is probably due to the Grease musical training.


I was happy that his set was all upbeat songs. He really had a good swing going with his set. He did appear to forget lyrics or missed the opportunity to sing the lyrics during the chorus of “Heaven Knows.” I could tell by the look on his face and he turned to his guitar player and smiled. He also seemed a bit off pitch during the George Harrison cover “My Sweet Lord.” Otherwise his performance was stellar and energetic.

Oh yes, since I am a bit of a Taylor Hicks newbie I was feeling a bit out of touch when people were yelling what I thought was “Snow Patrol” and for the life of me I couldn’t figure out why Taylor Hicks’ fans were yelling Snow Patrol. I am thinking, “Did Snow Patrol open for Taylor and I am missed it?” No, I felt like a fool because they were yelling “Soul Patrol” and now that I know that, it makes a heck of a lot more sense. I think I need my hearing checked.

http://thedeadhub.com/taylor-hicks-soul-patrol-hits-the-belly-up-tavern/



SOUL PATROL MEMORIES:

1. PaytheDevil

---The crowd was 40 percent male. With their crew cuts and good posture, I suspect many were military.
--- About 30 percent of the crowd was under 30 years of age. Lots of hottie blondes and their boyfriends.
--- The place was packed. It reminded me of HOB in MB - same layout and almost as crowded
--- Sound and lighting were very well done.
--- Josh wore a suit and skinny tie. His white shirt was pressed and starched.
---There were a few music industry types sitting in the rafter area with me
--- You could tell the owners of the Belly Up were very pleased with the turn-out and the -restaurant next door was overwhelmed by the patrons seeking a meal before the show.

2. taylorfan06

I met many people who were experiencing Taylor for the first time. A large group of people who sat by me were also first timers. It was one guy's birthday in the group (who planned the event) and I told him he would definitely remember this birthday. At the end of the show, he said it was a great night (as well as others in his group) and he would see him again. I, of course, had to tell him about the upcoming show at The Roxy on the 18th. Hopefully, he'll do himself a favor and make his way there, along with his group.
....I was really surprised by the 50/50 mix of men and women at the show. There was plenty of head bobbin' and hootin' and hollering going on throughout the show to the near to capacity crowd. A GREAT time was DEFINITELY had by ALL!!!

....“My Sweet Lord” was OFF THE HOOK! It was amazing cover that the crowd ate up. Taylor is always full of surprises in concert (another part of his draw) and it just continued there. The vocal was fine and the smiles continues in the crowd. It was a powerful Taylor moment. A real highlight.


3. Rhonda

We went to Solana Beach for a Concert on Thursday nite at Belly Up.....we saw Taylor Hicks, season 5 American Idol winner...great concert...

4. PaytheDevil ( addendum )

The folks at the Belly Up did an incredible job of promoting him at the club.
Edited by mouser, Mar 12 2009, 12:32 PM.
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