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| Chicago, IL Jan. 6 - Jan 18, 2009; Auditorium Theatre and Martyr's | |
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FIFTIES QUESTION: 1. Before being renamed, this 1955 hit by a former cosmetology and hairdressing student was originally titled "Ida Red": Suzie Q. Maybellene. Angel Baby. -------------------- January 6 - January 18, 2009 Auditorium Theater ![]() 50 E Congress Pkwy Chicago, IL 60605 (312) 922-2110 TICKETS: Price: $85-$26 Box Office: (312) 902-1400 Tickets, $26-$85, go on sale at 10 a.m. Sunday. Call (312) 559-1212; ticketmaster.com. NOV. 9, 2008 TICKET SALES BEGIN. A REVIEWER HAS STATED NOT TO GET GALLERY SEATS AS THE SOUND IS NOT AS CLEAR AS ELSEWHERE . The one that you want is back! GREASE, Time Magazine’s 2007 pick for “#1 musical of the year,” is rockin’ across the country in this new production direct from Broadway. Take a trip to a simpler time of poodle skirts, drive-ins, and T-birds. “Bad boy” Danny and “the girl next door” Sandy fall in love all over again to the tune of your favorite songs: “Summer Nights,” “Greased Lightnin’” and “We Go Together” as well as additional songs from the hit movie: “Grease,” “Hopelessly Devoted to You” and “You’re the One That I Want.” So throw your mittens around your kittens and Hand Jive the night away with the show that’ll make you want to stand up and shout, “A-wop-bop-a-loo-bop A-wop-bam-boom!” GREASE! Groups of 20+ on sale now! Call 312-431-2357 for more information. For specific dates, times and prices click here! Tuesday, January 6 at 8 pm Wednesday, January 7 at 7:30pm Thursday, January 8 at 7:30pm Friday, January 9 at 8pm Saturday, January 10 at 2pm & 8pm Sunday, January 11 at 2pm & 7:30pm Tuesday, January 13 at 7:30 pm Wednesday January 14 at 2pm & 7:30 pm Thursday, January 15 at 7:30pm Friday, January 16 at 8pm Saturday, January 17 at 2pm & 8pm Sunday, January 18 at 2pm January 17 at 2 p.m. is a signed performance. Please contact our Patron Services Office at 312-431-2389 ext. 0 to make arrangements SEATING CAPACITY: 2550/ 3929 SEATING CHART: ![]() THE VENUE: ![]() Though the Auditorium opened to immense critical acclaim, what began as a masterfully-designed opera house that sprang from the minds of geniuses gradually fell into disrepair. For decades the Auditorium Theatre continued its decline before experiencing an astounding resurgence in the 1960’s, and ultimately returning to its former status as a jewel in American history. For nearly 120 years, the Auditorium Theatre has evolved, each decade ushering in a new challenge, and a new voice. From the operatic glory of our inception to the rock-and-roll concerts of the 1960’s and 70’s, from a setting for the world’s most legendary musicals to the greatest ballets, the Auditorium Theatre has adapted and grown, but we have always remained dedicated to providing the highest quality of artistic experiences while preserving the storied principles upon which we were founded. Our programming has now come full-circle. While we continue to provide unparalleled ballet performances such as the Bolshoi Ballet and the Kirov ballet, we are ever mindful of the diversity and complexity of the landscape the surrounds us. Our current repertoire includes programs such as Alvin Ailey American Dance Theatre, Too Hot to Handel, the Puerto Rican Cuatro Festival, and Ensemble Espanol Spanish Dance Theater which embrace the diversity and multiculturalism of our audience. But while we remain dedicated to principles of inclusion and understanding, we continuously search for new avenues to express these crucial ideals. ![]() The Auditorium Theatre of Roosevelt University is committed to offering the finest in international, cultural and community programming to Chicago, and to the continued restoration and preservation of our National Historic Landmark building. Designed and constructed by famed architects Dankmar Adler and Louis Sullivan, the theatre has been a mainstay of Chicago architecture and theatre since 1889. In architectural grandeur and in the merit of the artists who have performed here, the Auditorium Theatre has no equal. ![]() images courtesy of www.skyscrapercity.com RESTAURANTS AND HOTELS : http://www.theatreinchicago.com/restaurants.php?theatreID=4 Restaurants http://hotel-guides.us/illinois/auditorium-theatre-roosevelt-university-il-hotels.html Hotels PLACES OF INTEREST: Museum of Contemporary Art 220 East Chicago Avenue, Chicago, IL 60611 312.280.2660 | 312.397.4010 One of the nation's largest facilities devoted to the art of our time, the Museum of Contemporary Art (MCA) offers exhibitions of the most thought-provoking art created since 1945. The MCA documents contemporary visual culture through painting, sculpture, photography, video and film, and performance. Located in the heart of downtown Chicago, the MCA boasts a gift store, bookstore, restaurant, 300-seat theater, and a terraced sculpture garden with a great view of Lake Michigan Frank Lloyd Wright House : This unusual complex served as Wright’s private residence and studio for the first 20 years of his career, 1889–1909. Wright used his home as an architectural laboratory, trying out design concepts before sharing them with clients. Address: 951 Chicago Ave, Oak Park Phone: 708-848-1976 Web: www.wrightplus.org Cost without Go Chicago Card: Adult $12.00 http://www.gochicagocard.com/attractions/Frank-Lloyd-Wright-Tour. Lincoln Park Zoo : Address: 2200 North Cannon Drive, Chicago Phone: 312-742-2000 Web: www.lpzoo.org Shoreline Sightseeing Skyline Boat Tour This half-hour Skyline Boat Tour spans the entire panorama of Chicago’s world renowned skyline, traveling north past Navy Pier to the Hancock Building, east out to the Lighthouse, and south towards the Sears Tower and Museum Campus which includes the Shedd Aquarium, Field Museum and Adler Planetarium. The Shoreline Sightseeing Skyline Boat Tour is accompanied by a professionally produced narration recounting Chicago’s dramatic history and highlighting many famous landmarks along the route. Tours depart from Navy Pier, departure times vary according to the season–please call or visit online for exact schedule information. Directions, Hours & Other Information Address: Departs from Navy Pier West Phone: 312-222-9328 Web: www.shorelinesightseeing.com Cost without Go Chicago Card: Adult $14.00 MEDIA AND REVEIWS: 1. http://broadwayworld.com/article/Grease_at_Auditorium_Theatre_with_Taylor_Hicks_20081128 'Grease' at Auditorium Theatre with Taylor Hicks Friday, November 28, 2008; Posted: 06:11 PM - by Chicago News Desk GREASE brings “summer lovin’” to Chicago This January Broadway In Chicago is proud to present GREASE™, the classic musical that has made generations of audiences root for Sandy and Danny’s lighting romance. Tickets are now available for Chicago audiences to bop and jive with the Pink Ladies and the T-Birds at the Auditorium Theatre of Roosevelt University during a limited engagement January 6 – 18, 2009. After spending a hopelessly devoted summer with Sandy Dumbrowski (Emily Padgett), the new girl in town, Danny Zuko's (Eric Schneider) world is thrown upside down when Sandy appears at Rydell High on the first day of school. What follows is a rock n' roll celebration of growin' up, cruisin' with friends and goin' steady. The new version of GREASE™ features, for the first time ever in a Broadway production, songs from the smash hit 1978 film including “Sandy,” and the Academy Award nominated song “Hopelessly Devoted to You.” The new version of the musical also includes the songs from the film adaptation, “Grease” and “You’re the One That I Want,” both of which were #1 hits on the Billboard Top 100 list. These songs are heard in addition to the Jacobs/Casey songs made famous by the original stage production, including “Summer Nights,” “Greased Lightnin’” and “We Go Together.” 2. As previously announced, “American Idol” Season Five winner Taylor Hicks will star as “Teen Angel.” Taylor Hicks made his debut on Broadway in the role this past summer. He achieved widespread fame in 2006 as a contestant on the hugely successful FOX singing competition “American Idol.” Starring as “Rizzo” will be Allie Schulz, a contestant on NBC’s “Grease: You’re the One That I Want.” Allie comes directly from the Broadway Company of GREASE™. The tour also stars Scot Patrick Allan as “Eugene,” Will Blum as “Roger,” Bridie Carroll as “Jan,” Kate Morgan Chadwick as “Frenchy,” Brian Crum as “Doody,” Kelly Felthous as “Marty,” Dominic Fortuna as “Vince Fontaine,” Erin Henry as “Patty Simcox,” Roxie Lucas as “Miss Lynch,” David Ruffin (attended Northwestern University) as “Kenickie,” and Nick Verina (studied at Second City) as “Sonny.” The ensemble features Joseph Corella, Preston Ellis, Melissa Larsen, Ruby Lewis, Lisa Maietta, Dayla Perkins, Mark Raumaker, Mike Russo, Matthew William Schmidt and Brooke Stone. This new production of GREASE™, which opened on Broadway on August 19, 2007, was born out of NBC’s landmark talent competition TV series, “Grease: You’re The One That I Want.” The weekly talent competition drew 90 million viewers, and America voted for its favorite contestants to play the lead roles of Sandy and Danny on Broadway. The production is directed and choreographed by two-time Tony Award-winner Kathleen Marshall (“The Pajama Game,” “Wonderful Town”). The book, music and lyrics are by the late Warren Casey who made Chicago his home in 1962 and Chicago native Jim Jacobs. Additional songs from the film are by Barry Gibb, John Farrar, Louis St. Louis and Scott Simon. GREASE™ features scenic design by Tony Award nominee Derek McLane (“The Pajama Game”), costume design by two-time Tony Award winner Martin Pakledinaz (“Thoroughly Modern Millie,” “Kiss Me Kate”), lighting design by Tony Award winner Kenneth Posner (“The Coast of Utopia,” “Wicked”) and sound design by Brian Ronan (“Spring Awakening,” “Curtains”). GREASE™ originated in Chicago and made its premiere at The Kingston Mines Theater in 1971 before making its New York premiere off-Broadway at the Eden Theatre on February 14, 1972. After 128 sold-out performances, the show made the transition to Broadway taking up residence at the Broadhurst Theatre on June 7, 1972. GREASE™ was nominated for seven Tony Awards in its spectacular initial run. On November 21, 1972, the show moved to the Royale Theatre before making its final transfer on January 20, 1980 to the Majestic Theatre. It closed as the longest running show in Broadway history after playing 3,388 performances. In 1978, GREASE™ became a hugely popular feature film starring John Travolta and Olivia Newton-John in the lead roles. A Broadway revival opened on May 11, 1994 at the Eugene O’Neill Theatre where it played 1,503 performances and won three Tony Award nominations. The current Broadway production of GREASE™ opened at the Brooks Atkinson Theatre on August 19, 2007 following preview performances which began on July 24, 2007. The film version of GREASE™ produced one of the best-selling soundtracks in history and is the highest-grossing movie musical of all time. The two Travolta/Newton-John duets, “You're The One That I Want” and “Summer Nights” were both #1 hits and appear on the United Kingdom’s All-Time Best-Selling Singles list. The song “Hopelessly Devoted to You” was nominated for an Academy Award (1979) for Best Music – Original Song and the film's title song, “Grease” was a #1 smash hit single for singer Frankie Valli. GREASE™ is produced on tour by Paul Nicholas and David Ian, Nederlander Presentations, Inc. and Terry Allen Kramer by arrangement with Robert Stigwood. The GREASE™ Original Cast Recording is produced by Sony BMG Masterworks Broadway and was released on October 2, 2007. 3. Taylor Hicks tackles Teen Angel in 'Grease' January 2, 2009 BY MARY HOULIHAN Staff Reporter Taylor Hicks got his start on "American Idol" (he won in 2006) and it took him all the way to Broadway. Last summer, the 32-year-old performer joined the cast of "Grease," playing Teen Angel, a role previously inhabited by Frankie Avalon, Davy Jones, Chubby Checker and others. The Sun-Times recently caught up with Hicks on the road in Columbus, Ohio. » Click to enlarge image "American Idol" winner Taylor Hicks is now touring with the production of "Grease." Q. Was musical theater something you had your eye on? A. Actually, no, it's brand new for me. Never in a million years did I think I would make my acting debut in an ice-cream cone 40 feet above the stage. Q. Did you retrofit the role and make it your own? A. Yes, I added a bit where I play the harmonica. I wanted to make sure that I had my own thumbprint on the performance. Q. Are you liking the flashy suit you wear in the show? A. It's cool and it sparkles. I like to describe it as Gram Parsons-meets-Elvis. Q. You're also performing a club show while you're in town. A. Since I'm touring with "Grease," this was the only way to promote the album. It may even be a bit cutting edge. As a performer, you have to expose yourself and your art to different people, and I think I'm doing that here. • • "Grease" opens Tuesday and runs to Jan. 18 at the Auditorium Theatre, 50 E. Congress. For tickets ($26-$85), call (312) 902-1400. Taylor Hicks also performs at 10 p.m. Jan. 17 at Martyrs', 3855 N. Lincoln. For tickets ($40), call (312) 559-1212. http://www.suntimes.com/entertainment/stage/1356848,WKP-News-taylor-hicks-grease-010209.article 4. Originally posted: January 7, 2009 'Grease' tours in an 'American Idol' age THEATER REVIEW: "Grease" ★★ Through Jan. 18 at the Auditorium Theatre, 50 E. Congress Parkway; 2 hours, 15 minutes; $26-$85 at 312-902-1400. Taylor Hicks stars as the Teen Angel. Once a musical about the real-life Fifties kids of Taft High, “Grease” has been blown up, cut down, sanitized, starred, Hollywood-ized, disco-ized, sequel-ized and otherwise forcibly extracted from its original Chicago roots and soul. So it seems churlish to complain about the latest indignity to befall this iconic show. Dignity went out the window back when they released the 1982 movie “Grease 2.” In 2007, “Grease” was the object of a TV talent show. The winners got to star in Kathleen Marshall’s Broadway revival, where it was revealed for the umpteenth time that training, experience and old-fashioned acting chops trump ability to belt into a TV microphone and win votes. That revival closed in New York last Sunday and its national tour arrived at the Auditorium Theatre in Chicago on Tuesday, where an enthusiastic crowd always greets this justly beloved property, even if the diminutive physical production looked lost on the Auditorium’s huge stage (weirdly, there’s several feet of stage at the front which the show refuses to cross) and if it took until intermission for the right sound-balance to emerge. Thankfully, the TV winners aren’t here—apparently they’re too busy for the road. So at least this touring version features a capable, energetic and mostly likable crew of young professionals. But the spirit of the TV contest abides. Taylor Hicks, winner of the 2006 “American Idol,” has been cast in the less-than-taxing role of Teen Angel. He makes his first entrance from inside a giant ice-cream cone. (One wonders if, as he waits for his cone to open, he ponders the vicissitudes of a show-business life). But Hicks fits right in with this “Grease” for an “American Idol” age. Marshall’s day-glow conception, which I respect but do not much like, is arraigned around fantasy. Oh, it’s still the same material (albeit with the addition of the movie songs). But instead of the characters singing about their lives, they sing about their fantasies, which are realized theatrically in cartoonish style. You can see this in “Those Magic Changes,” where Doody turns into a star of his own imagination, or “Greased Lightening,” which is not about a car but an aspiration. And in Rizzo’s famous “There are Worse Things I Could Do,” Allie Schulz (who has a fabulous voice) heads right for downstage center and belts out the ballad to the paying crowd. It’s not so much about a character’s choices as behaving like a star. Eric Schneider (the best thing in this show) is a boyish, vulnerable Danny. Emily Padgett certainly looks and sings like a Sandy, even if she’s not exactly a gaping wound of emotional vulnerability. There are some terrific voices in the ensemble and some appealing choreography. And I’d surely allow that fantasies are a part of “Grease,” as they are of teen-dom itself. But when Hicks pulls out his signature harmonica, it typifies the night. It’s a laugh, and there are worse things they could do. But poor old “Grease.” http://leisureblogs.chicagotribune.com/the_theater_loop/2009/01/grease-tours-in.html -------------------------------------------------------------------------------- 5. Originally posted: January 8, 2009 Bring back our own, original R-rated 'Grease' When the first-ever “Grease” premiered in Chicago in 1971, there were fewer songs, edgier characters and more sex. If you’re seeing the touring production of “Grease” | REVIEW at the Auditorium Theatre this week, you’ll see one “Grease.” It’s a day-glow, mostly PG-rated affair. It features “American Idol” winner Taylor Hicks in the cast. It is based on a production that flowed from a reality-TV casting show, entitled “Grease: You’re the One that I Want.” And it comes from New York. But there’s another “Grease,” a Chicago “Grease,” locked away somewhere. The purpose of this column is to persuade somebody in Chicago to bring it back. The opening number in the show I want isn’t “Summer Nights,” but “Foster Beach” (yes, that Foster Avenue Beach). There’s much colorful 1950s-era slang—phrases like “eat me” and “suck wind.” Songs are divided equally among an ensemble cast. There are references to Taft High School, the Palmer House, Lake Shore Drive and those accommodating Cook County Forest Preserves. In the place of “Born to Hand Jive,” there is a number called “Boogie Man Boogie” (a “Monster Mash”-like affair). Sandy doesn’t warble “Hopelessly Devoted to You,” but a song called “Kiss It.” And there’s a title number, but it sure wasn’t written by Barry Gibb. Now, if you’re of a certain age—and have been going to theater in Chicago for a long time—this may all sound familiar. That show was the original “Grease,” first performed in Chicago at the old Kingston Mines Theatre in Lincoln Park (located in a former trolley barn at 2356 N. Lincoln Avenue, where the parking garage for Children’s Memorial Hospital now stands). The blues club, now nearby on Halsted Street, was in the front and the theater was in the back. This racy, edgy “Grease” was a huge hit in 1971. And as its refreshingly candid creator Jim Jacobs freely admits, “Grease” was never the same again after it. “When we went to New York,” Jacobs said this week, “we were told it was necessary to make the characters lovable, instead of scaring everybody. The show went from about three-quarters book and one-quarter music to one-quarter book and three-quarters music.” Jacobs, of course, was supposed to be promoting the latest version of his show. (He was even a judge on the NBC reality show). And, indeed, Jacobs says that he and his partner, the late Warren Casey, never resisted any of these changes. They were young Chicago guys writing their first show. They wanted to play by the rules. But Jacobs (who was an actor in the early days of Chicago theater and once worked for the Tribune) is a free spirit who has made enough money from “Grease,” and made enough money for other people from “Grease,” to say what the heck he likes. “The very first guy who saw the script in Chicago was Paul Sills,” the late improv guru, Jacobs said, chortling away. “He asked us if we wanted him to direct it. We told him no, because we wanted to put it up in the next five years.” They got it up. Chicago critics championed the show. Michael Feingold of the Village Voice (who was making one of those “to-the-boonies” excursions beloved of New York critics then and now) flew in to see it twice and also became an unlikely champion. Director Michael Bennett came in to see it (but decided that he’d add feathers and ruin it). And it went to Broadway. But the compromises kept on coming. The 1978 movie version, produced by Robert Stigwood, added disco-era songs (which are now part of the live show) and the star power of John Travolta and Olivia Newton-John, forever tagging Sandy as, ideally, a blond. The show was changed, but its title became a household name. Jacobs laughed and collected the checks—although “Grease 2” still brings a brief frown to his face. But you don’t have to talk to him for long to realize that, like many Chicago-raised artists, the happiest days of his life weren’t spent on Broadway or sitting in front of the NBC cameras bantering with Andrew Lloyd Webber. (Jacobs says he rejected the reality show for years, but was finally offered so much money and control, he says he couldn’t say no.) Nope, it’s pretty clear that Jacobs was happiest freezing his young butt off at the Kingston Mines, doing a show that actually depicted life at Taft High School. His life. In his town. “That original show is all in the original folder,” he says. “I’d love to do it again in Chicago.” So, Mr, and Ms. Chicago Producers, time’s a-wasting. “There will have to be a sign in the box-office window,” Jacobs says. “‘Were this a movie, it would be rated R.’” http://leisureblogs.chicagotribune.com/the_theater_loop/2009/01/bring-back-our.html 6. “Grease” featuring Taylor Hicks Tuesday, January 06, 2009 Auditorium Theatre/ Chicago, IL Review by Andy Argyrakis Even if Taylor Hicks’ star power in the role of Teen Angel is helping sell some extra seats on the blockbuster Broadway tour of “Grease,” the show actually belongs to Eric Schneider as lead character Danny Zuko. Though he’s not a household name (at least not yet), the up and coming vocalist is best known for playing Frankie Valli during “Jersey Boys” in the Big Apple and also the fellow 1950s-minded stage adaptation of “Happy Days.” Indeed the spirit of golden oldies was on hand throughout “Grease,” kicking off with the whole company’s version of the title cut (which was ironically a hit for Valli). From there, it was a trip back in time to the days of tough guys, giggling girls and hot rods with “Greased Lightin’” helping propel the simple love story most famously portrayed on screen by John Travolta and Olivia-Newton John. Cast opposite to Schneider is Emily Padgett as Sandy Dumbrowski, who also scored a Broadway credit in “Legally Blonde.” She was especially convincing in portraying her teenage love for Eric during “Hopelessly Devoted To You,” which was the first hint of a later transformation from conservative school girl to letting her inner party animal out for the whole world to see. Of course before anyone could dig too deep into the storyline, all eyes locked on Hicks, who descended from the ceiling as Teen Angel (aptly following in the footsteps of Frankie Avalon and even Chubby Checker) for a short but sweet rendition of “Beauty School Dropout.” The 2006 “American Idol” winner added some soulful flourishes to the number thanks to a short harmonica solo at the end and had no problem hamming it up with his campy flair burning brightly, despite no prior acting experience. But the responsibility fell back to the main characters, who confirmed their crushes for one another during “You’re the One That I Want,” which featured the whole cast adding some slick choreography to the celebration. After all the actors bowed, fans were treated to a concert-like encore featuring a medley of the show’s greatest hits led by Hicks. He broke out the harmonica yet again for the title track, while reprisals of “Born To Hand-Jive” and “You’re the One That I Want” had so much pep they matched the dynamism of Less Than Jake’s unconventional covers collection chronicling the same soundtrack. Hicks and an energetic “Grease” troupe may be starting off ’09 in the Windy City, but it’s only the start of a marathon trek: http://www.hearsay.cc/sub_pages/reviews_interviews/12-05-12-08/concertconnection.html 7. Grease By STEVEN OXMAN http://www.variety.com/review/VE1117939296.html?categoryid=33&cs=1&nid=2562 A Broadway in Chicago, Paul Nicholas and David Ian, Nederlander Presentations, and Terry Allen Kramer presentation by arrangement with Robert Stigwood of a musical in two acts with book, music and lyrics by Jim Jacobs and Warren Casey, with additional songs by Barry Gibb, John Farrar, Louis St. Louis, and Scott Simon. Directed and choreographed by Kathleen Marshall. While "Grease," the touring version of the recently closed Broadway revival, lacks the inspiration and emotional sincerity needed to be more than merely peppy and puerile, it does come alive from a sheer kitsch perspective when Taylor Hicks of "American Idol" fame emerges from a giant ice cream cone to sing "Beauty School Dropout." In fact, the biggest laugh of the evening comes when the flirtatious Frenchy twirls Mr. Hicks' exposed chest hair and purrs, "I voooted for you." The line, delivered deliciously by standout Kate Morgan Chadwick, has layers of significance beyond a single moment of self-conscious humor, since this "Grease," directed and choreographed by Kathleen Marshall, was originally birthed on the NBC reality show "Grease: You're the One That I Want," in which the television audience selected the previously unknown Max Crumm and Laura Osnes to become Rialto headliners in the revival. So the first important fact to remember about this tour is that Max and Laura are not in it. Yes, the performers swearing in as this Danny and Sandy from Illinois, Eric Schneider and Emily Padgett, were appointed and not elected. They deliver perfectly capable performances, singing and dancing with plenty of polish. But, like much else in this show, they don't express a lot in the way of true personality. Schneider ("Jersey Boys," "Altar Boyz") has a full set of performance gifts, but while he possesses Crumm's youthfulness, he doesn't have the natural slacker mentality that made the aud's selection fairly interesting. And Padgett is full on the prototypical Sandy, blonde and totally believable as the good girl. Her transformation at the end into the updated let's-get-it-on bombshell, in fact, is so complete it almost seems Schneider's Danny recognizes her too quickly. Like both Osnes and Crumm, this cast has a fundamentally squeaky clean, heartland aura, emanating innocence even when accessorized with leather jackets or big hair. And perhaps the casting was partially the inspiration for Marshall to create her colorful, crisp, comicbook inspired take on the show. It looks good, it sounds OK, but it's also both literally (in terms of the sets) and figuratively (in terms of the characterizations) two dimensional. The ensemble boasts plenty of chops, particularly an ability to capture the melodic elements of the songs. And they do their best to amp up the comedy. But, the little love stories that drive the plot have no dramatic force whatsoever. All the scenes have the same energy, the emotions are all plastic, and the characterizations, purely generic. This is where Hicks separates himself, creating his own little show-within-a-show, lifting us out of the manufactured quality of the production to enjoy a few moments of an over-the-top oddness that's decidedly individual. Yes, he delivers on pre-ordained expectations -- he even plays the harmonica and dances, as Simon Cowell described it, like he's a father at a party trying to embarrass his kids. But, to his credit and to the audience's enjoyment, nobody else could be this Teen Angel, and there's no point in even trying to compare him to Frankie Avalon. 8. Grease: The True High School Musical Sunday, January 11, 2009; Posted: 06:01 PM - by Michael Sherrin There's few magic changes, but Grease is still as automatic, systematic, and hydromantic as ever. The recent Broadway revival of Grease races into Chicago's Auditorium Theater an energetic cast and sparkles aplenty. This production rides in from the reality show "Grease: You're the One That I Want" where contestants competed for the leading roles. There are few surprises to Grease's return to the touring Great White Way, making the lack of the Grease reality show winners slightly disappointing. 1950's greaser Danny Zuko pretends he never fell for goody-two-shoes Sandy Dumbrowski. Amid the drama of high school, from pregnancy to fast cars to mooning, Sandy and Danny find their way to go together. It's time for all High School Musical fans to see where the inspiration came from. While the movie is classic and amazing, it's missing so many great songs, the live-production is a must for every tween and teen, assuming your high school isn't already performing it. Other reality show veterans pull up the hype-slack. Taylor Hicks, winner of "American Idol" season five plays the crooning Teen Angel complete with his trademark microphone and harmonica. Hicks injects exciting star power and unique vocal style into an otherwise conventional production. It would have been nice if Hicks could have performed without the microphone, as it sometimes made it hard to understand his words (assuming you don't already have them memorized). Allie Schulz, another contestant from "Grease: You're the One That I Want", made it into the Broadway production, now featured as a Stockard Channing channeling Rizzo with comic attitude. Eric Schneider plays a capable Danny, with quality pipes and impressive dancing, but lacking convincing machismo for the gang leader. Emily Padgett's Sandy was a convincing deception of a bad girl waiting to explode. The leggy star was desperate to let out her dancing feet, leading to an explosive climax of a finale where she was set free, high heels and all. The real gems were the memorable supporting cast. Will Blum (Roger) and Bridie Carrol (Jan) were a hilarious pair with their song "Mooning." Brian Crum (Doody) made "Those Magic Changes" one of the highlights of the entire production. Kate Cadwick's bubbly Frenchy was a stage treat, especially in her scene with Taylor Hick's Teen Angel. Best of all, the show emphasized the doo-wopiness of the music, with great ensemble choreography and staging. Song earned special treatment making each one a singularly exciting experience. With all the attention to the comedic songs, emotional songs took a bit of a back seat. "It's Raining on Prom Night" especially seemed to be on the backburner for direction. With a cast of amazing singers, the downer was the uneven sound. It was hard to hear Danny for the first part of Act I. David Ruffin (Kenickie) was drowned out during "Greased Lightning" not for lack for skill, but because or flaw mics (maybe they needed Hicks' microphone more). While sound was lacking, the staging was wonderful and shows why it's worth seeing Grease outside a high school auditorium. The dancing was exciting with colorful costumes and rich sets packed with lights and sparkles and elevators. Even though "Greased Lightning" was hard to hear, it was one of the most fun to watch; not just because of Kenickie's muscles - the muscle car was nice too. Grease's revival is perfectly timed for a new generation of High School Musical excitement and a classic show for parents and children. The overall exciting and energetic production is a worthy predecessor to High School Musical (that's how you convince kids to go to it), filled with timeless music and a rockin' good time. Plus American Idol synergy never hurts. http://www.broadwayworld.com/article/Grease_The_True_High_School_Musical_20090111 9. Chicago Trubune The word on 'Grease' and Taylor Hicks January 02, 2009|By Doug George, TRIBUNE REPORTER Long after the '50s are gone for good, we'll probably still have "Grease," that decades-old musical all about hopeless devotions, beauty school dropouts and hot summer nights. Bad-boy Danny has a summer fling with good-girl Sandy, who shows up at his SoCal high school in the fall. The latest big thing to happen to "Grease" -- and there's been a 1978 movie, a "Grease 2," countless high school productions, it actually had its start right here in Chicago at Kingston Mines in 1971 -- was a Broadway revival last year with the leads cast by the viewers of NBC's "You're the One that I Want." That "Grease" closes Sunday after a year-and-a-half run; a touring version is coming Tuesday to the Auditorium Theatre, though without Laura Osnes and Max Crumm in the cast, the Sandy and Danny chosen by you folks out there in television-land. This touring show's big name attached is, suitably enough, Taylor Hicks, the "American Idol" winner in the role of Teen Angel, a role he started on Broadway. He spoke with On The Town and helped us with a primer: I like Taylor Hicks fine. What if I've actually never seen 'Grease'? "It's the story line of 'Grease' that's timeless," Hicks says. A classic teenage boy-meets-girl story. "I'm sure the same thing is happening in high schools right now." Young fans of his will not feel like they're watching some crusty old show they can't get into. So does he channel Frankie Avalon? No way, says Hicks. (Avalon played the Teen Angel character in the movie, who counsels the beauty-school dropout Frenchy.) "I've arranged something more my style," he says. His costume is a midnight-blue suit with rhinestones. "Sort of a Gram Parsons-meets-Elvis suit." Plus his musical number is expanded, more R&B, with a harmonica solo. (Avalon, you may recall, had no harmonica solo.) Please, I've seen 'Grease' like a hundred times. Who the heck is Taylor Hicks? Taylor Reuben Hicks, 32, is an R&B-and-blues-rock singer from the Southwest who rose to stardom when he won the Season 5 of television's "American Idol." He has a new album due out in February on his own Modern Whomp Records label (see taylorhicks.com). You'll get a taste of his music from the show; as part of the musical medley every night, he'll be throwing in his own singles. SOUL PATROL MEMORIES: 1. Soulreporter/juliegr 1/6/09 ....A lot of people talking about him in the lobby and taking pictures of him in front of the theatre. ....everyone was talking positively about.him and the play. He got the loudest applause .... the theatre was packed. 2. hollyb 1/6/09 Dean from WGN review on the WGN Morning News as reproducted by hollyb: Now Taylor was one of the many highlights in last night's opening of the classic musical Grease at the Auditorium Theater. Taylor's appearance in Grease is only just one scene in the show, it's a really good one.... Taylor is great and he plays his cameo just right, but this cast is so much more than just one American Idol winner. ...Now Taylor appears again in the show's finale but you won't feel like you're missing anything in the show. This production of Grease is a can't miss musical, I'm giving it a Dean's List A. It's at the Auditorium until January the 18th. I even like that they do a little American Idol spoofing into the show making fun of Taylor Hicks in the show that brings a couple of laughs from the show. It's a good time. 3. Taylor Hicks Sick in Chicago ![]() Taylor Hicks signed autographs for fans outside of Kingston Mines on Tuesday night after his first performance in Grease on Broadway Chicago. Hicks plays Teen Angel in the show and is the celebrity guest on Broadway for this week. Hicks gave a stellar performance on Tuesday night for the press premiere even though he’s been suffering from strep throat. Feel better Taylor! This entry was posted on Friday, January 9th, 2009 at 2:22 am http://thesebootsaremadeforstalking.com/?p=10796 4. Tayfan84 ....saw Grease yesterday! Great! Taylor was electric! loved his performance! He sounded awesome, too! 5. raylindy 1/11 matinee Taylor is the third scene of the Second Act. When the scene starts, I see the ice cream cone coming from the back to the forefront high above--without fanfare--kind of like just putting a chair/table on stage for a prop. At this time the cone wasn't lit up or anything. Kinda dimmed out. Frenchie is on for a bit and the guys are doing a bit and I am thinking -- how long are they going to leave Taylor in that thing before they let him out!! HE CAN'T BREATHE!! (That's just me panicking--he was fine :-) ) It felt like 6 or 7 minutes before that cone started getting sparkly and coming to life, but come to life it did! And then there he was in all his glory! The cone opens, there stands Taylor and he was greeted with huge applause. The cone descends slowly and Taylor's eyes are looking towards heaven (as all good angels' eyes are), but this angel also had a feisty look on his face. I have to tell you, Taylor played this part so campy and was really putting his "acting" self into it. He just seemed to be having so much fun with it. It may only be for a little over five minutes or so, but he certainly makes the most of that time. 6. Lee courtesy of Lee ( SOS )His black SUV with tinted windows was in motion when I was nearing the SUV waving my Playbill. I think the forlorn face with my bottom lip hanging out did the trick...cuz he asked his driver to stop. Taylor's driver rolled down the back window and there he was...in that fine looking brown velvet coat and toboggan. He's says "y'all got Playbills?...I'll sign em". 7. hollyb 1/11 matinee I will say this - I think Taylor's voice was sounding a little strained. I have seen him in concert only twice before this, so my judgement might not be as educated as some others. I know there were a couple of other boogiers going to the show today or tonight so we'll see how they felt about it. He still performed really well and got a great reaction from the crowd, so it didn't take away from the experience. The audience really loved the harp! 8. dreamhrt ....The show was absolutely incredible. I do suggest that even if your not a Taylor Hicks fan (shudder) the show is a must see! ....When the lights shone for the last time and they all broke out in hand jive and there was Taylor again doing his "Thing". His harp playing was as always mesmerizing to the point I often thought of the pied piper when referring to it. courtesy of dreamhrt9. Crispy Jon was telling me before the show started that when he saw Grease in New York one time he got to go onstage before the show for a dance contest. Okay, this made me nervous as he was telling me this as a fore-warning of revenge for some truthful comment I probably made about the Cubs. So, when the DJ Vince took the stage and began to entertain and engage the crowd guess who so lovingly volunteered me?! Yes, there was a whole section of people yelling “Crispy!” in a packed theater in Chicago and pointing at ME! OMG!! Can’t you people even consider using my real name in public???!!!! ....Next thing you know, I am climbing over five people to get to the aisle so that I can “twist” in front of the whole theater (we were in the front!). Well, at least I didn’t have to go all the way on the stage.....just twisting in the aisle..... 10 GrannyMary ( Warmup by Vince Fontaine ) The twist part was something I had forgotten. Can't remember who all had to do it. Part of the audience had to do the Swim Part the Monkey And part the Twist. Definately an audience participation show. For the touring show of Grease, leave all pre conceived ideas of theater decorum at home. The Lights relect the snow near the Auditorium Theater , courtesy of Crispy Edited by mouser, Apr 11 2010, 06:19 AM.
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AFTER SHOW AT MARTYR'S ![]() Taylor Hicks will appear : January 17, 2009 at 10:00PM Martyrs 2855 N. Lincoln Avenue Chicago IL 773-404-9494 TICKETS : On Sale Dec 13 at 10am Cost of $40 We're sorry, tickets for this event are not currently available for online purchase. To find out more about tickets for this event, please call a Ticket Solutions Representative at 800-477-5285 (8am to 6pm CST). This posted on Jan. 2, 2009 http://www.ticketmaster.com/artist/1092763?camefrom=GGLE_SEM&WT.srch=1 http://www.ticketluck.com/categories/Taylor-Hicks/Taylor-Hicks-Martyrs/index.php http://www.empiretickets.com/LiveTicketDetail.asp?EventID=768195 SEATING CAPACITY : SEATING CHART: General Admission THE VENUE : ![]() If music is your thing, Martyrs' should make your hit list. With a band taking the stage nearly every night, Martyrs' showcases everything from funk and jazz to rock and country...but mostly back to rock, with past performers like Joseph Arthur, Los Lobos and Jack Johnson, as well as Chi-town favorites Fruit Bats and Dark Star Orchestra. So go for the music, but stay for the food, booze, chill atmosphere and, well, to make good on the $5-$20 cover you paid to get in. Set in a super dark, average-size room, Martyrs' dishes the kind of intimate listening experience you crave. Lead singers are utterly touchable, with the open dance floor sitting right in front of the mid-height stage. If you're not hoping to be sweat on by your favorite crooner, grab a high-top tables or a bar stool, but grab it early, as they fill up fast. Dedicated to the memories of such late great rock and blues performers as Jimi Hendrix and Janis Joplin (who are immortalized on the mural facing the stage), Martyrs' presents a variety of local bands and the occasional performance by national touring acts. The low tables, high ceiling, and huge windows make Martyrs' one of the best places to catch a rock-'n'-roll show. Martyrs' is a nightclub that feels like a neighborhood bar, from its wall of windows along Lincoln Avenue to its burger-and-chicken-wings menu. But then there's the performance stage and the unusual decor. Dead musicians are memorialized with tables decorated by local artists in their honor. Patrons can grab a pint and slam it down over Sid Vicious' cartoonish mug. Or Kurt Cobain's or Jim Croce's or Robert Johnson's. images courtesy of www.dubiousmoniker.com Martyrs DIRECTIONS FROM GREASE TO MARTYRS Total Time: 12 minutesTotal Distance: 5.97 miles A: 50 E Congress Pkwy, Chicago, IL 60605-1214 1: Start out going WEST on E CONGRESS PKWY. 0.6 mi 2: E CONGRESS PKWY becomes I-290 W/EISENHOWER EXPY W. 0.2 mi 3: Merge onto I-90 W/I-94 W/KENNEDY EXPY W toward WISCONSIN. 3.3 mi 4: Take the ARMITAGE AVE exit, EXIT 48A. 0.2 mi 5: Turn SHARP RIGHT onto W ARMITAGE AVE. 0.1 mi 6: Turn LEFT onto N ASHLAND AVE. 1.0 mi 7: Turn RIGHT onto W DIVERSEY PKWY. 0.5 mi 8: Turn SHARP LEFT onto N LINCOLN AVE. 0.1 mi 9: End at 2855 N Lincoln Ave Chicago, IL 60657-4201 B: 2855 N Lincoln Ave, Chicago, IL 60657-4201 OPENING ACT: Doors open 7pm Todd Hembrook starts 10pm Taylor Hicks starts 11:15pm Todd Hembrook & the Hemispheres This Soul Band originates from Chicago, Illinois ![]() With: Todd Hembrook-Vocals Pat Muldoon-Guitar TJ Annerino-Guitar Marty Madera-Bass Chris Walsh-Keys Dan Salyers-Drums Anthony Abbinanti-Baritone Sax Tom Riley-Tenor Sax Mr. Hembrook is 49 years old and hails from Chicago . ![]() http://viewmorepics.myspace.com/index.cfm? Opening Act Comment: Gypsee says "The opening band was awesome. They played til almost ten pm. The Taylor chant began, but eased off as people saw it would still be a while." ALSO DJ JOHN CIBA ![]() Get a taste of the Birmingham Sound… the original Birmingham Sound as presented by DJ John Ciba , (one half of the Chicago-based DJ duo East of Edens Soul Express). He will show us how influential the Birmingham Sound has already been to R&B in particular and the music world in general. Comment by attendee: soulreporter DJ John Ciba did a great job! And the band, Todd Hembrook & the Hemispheres, was absolutely awesome. SETLIST: * Soul Thing - Eastbound and Down ( Jimmy Reed ) Give Me Tonight Heart and Soul - Revival ( Allman Brothers ) Heaven Knows Maze - Feel It In Country? - Boogaloo Down Broadway ( Fantastic Johnny C ) - Do You Believe ( Van Morrison ) ?? Compared to What ( Les McCann ) What's Right is Right Gonna Move -Take Me to The River ( Al Green ) Lowdown ( Boz Skaggs ) - Turn on Your Love Light ( Grateful Dead ) - Baby Please Don't Go ( Muddy Waters ) The Deal Womans Gotta Have It (Bobby Womack) Runaround - Feel Alright ( Journey ???? ) or Feeling Alright ( Joe Cocker ) ENCORE: Naked in the Jungle ( Van Morrison ) Superstition ( Stevie Wonder ) Original Encore was supposed to be: The Right Place Badge CAST OF CHARACTERS: JOSH SMITH: Musical Director and guitar BRIAN GALLAGHER: sax LAMAR CARTER : drums KENNY CROUCH: keyboard MIKE MENNELL : bass guitar Live Show Policy Please note that for all live appearances, there is a strict no recording policy. This applies to all video recording devices, including amateur and professional video cameras as well as cellular telephones. This policy will be strictly enforced. http://blogs.myspace.com/index.cfm?...logID=464124832 MEDIA : MUSIC REVIEW Taylor Hicks embraces surroundings, not 'Idol' By Andy Downing | Special to the Tribune January 19, 2009 There seemed to be some sort of irony at play when Taylor Hicks breezed into town for a Saturday concert the weekend following "American Idol's" Season 8 premiere. Indeed, the sight of the silver-maned Season 5 champ performing at a crowded (but not sold out) Martyrs' could have served as a reminder of how much like "Logan's Run" the "Idol" cycle is, moving quickly to brush former contestants aside. Hicks, who was dropped by his record label in January 2008 after releasing just one album, never experienced the success of other "Idol" champs (his debut remains the lowest selling of any former winner). But if the "Idol" machine was ready to relegate the 32-year-old to the history books, Hicks appeared ready to move past the show. The singer, backed by a five-piece band, didn't mention the eponymous series a single time during his 105-minute set, though he did note that "it's been a while since I've been in the club"—a reference to the years spent performing in arenas and theaters following his 2006 made-for-TV triumph. Credit Hicks, in town with the touring production of "Grease," with embracing his cozier surroundings, announcing: "If it's a bar, we're going to play like it's a bar." But, despite a consistently high energy level, the evening dragged on as Hicks and company worked through a number of tepid originals ("Heart & Soul," "Heaven Knows") and shopworn soul and funk covers ("Superstitious," "Woman's Gotta Have It"). If "Idol" judge Simon Cowell had been in attendance, he likely would have equated the singer's performance with that of a cruise ship entertainer. Not that Hicks would have minded. Free of the "Idol" burden, the ever-enthusiastic singer appeared willing to continue on long after the houselights went up. http://www.chicagotribune.com/entertainment/music/chi-0119-taylor-hicks-ovnjan19,0,7279424.story ctc-live@tribune.com TICKETS AVAILABLE THROUGH: (312) 559-1212 Saturday, Jan 17 - 10pm - $40 Taylor Hicks Alabama’s favorite son continues to be in “The Right Place” since becoming the fifth-season winner of American Idol. During the last two years, TAYLOR HICKS has seen his Arista debut album certified platinum, performed with the likes of Earth, Wind & Fire, The Allman Brothers and Willie Nelson, toured through Asia, penned a brisk-selling Random House memoir, and made his Broadway debut in Grease. Currently working on new album, to be released in Spring 2009, Taylor recently released another reflective of his pre-Idol years, Early Works (Vanguard Records), which merges his indie albums In Your Time and Under the Radar into one collection. Along with his contribution to the forthcoming Warren Haynes Christmas Jam, recorded live in Ashville, North Carolina, his own DVD, Whomp at the Warfield, offers fans exhilarating live performances by Taylor and his band at the Warfield Theater in San Francisco. For now, he is excited to spend the summer in New York City, performing eight shows a week in Grease at the Brooks Atkinson Theatre. As Teen Angel, singing “Beauty School Dropout” while also showcasing his harmonica skills, Taylor appreciates the opportunity as “a perfect fit for me to experience Broadway theater,” in a musical much-loved for its memorable songs. The three-month role, which began in June, will wrap in early September 2008. SOUL PATROL MEMORIES: 1. Gypsee The pure Joy of being in a club again in his own show was evident in his huge grin and continued playfullness with the fans. He was at the top of his game, wild and crazy, and so into this that it swept you away instantly. Taylor was in his element and the cast of "Grease" was in the house! We got cowbell, we got tamborine, we got harp, we got guitar...we got Taylor at his best ever! He wore bluejeans, black shirt and shiny jacket, brown snakeskin boots. He was looking and sounding the finest I've ever seen him. OK on to the single...AMAZING, STUPENDOUS, SOULFUL, OUTSTANDING, MOVING, SMOOTH AND SILKY...Did I leave any descriptives out? LOL...I was mesmermized by it and the way he sang it. He didn't announce that it was the single...just said let's try this song and see how you guys like it. We knew what was coming and it was WELL received and done to perfection. have really not seen Taylor so relaxed and smiley as he was tonight....everyone was remarking about it. After the show, he came out to the side door by the bar and greeted fans, so we were able to say hi and tell him how absolutely fantastic the show was. He smiled a lot and seemed genuinely pleased to hear how much everyone enjoyed this. This is what I can say....there were fans who had been to only a few shows and there were fans who had been to tons of show. EVERY PERSON IN THAT PLACE WAS FREAKIN BLOWN AWAY! I thank God for the privilege of being at this show and I thank Taylor for the time of my life! If this night had never ended, it would not be enough . 2. caryling This was by far the best show I've seen Taylor do....there was a renewed energy and playfulness about the performance. He looked happy to be back on stage doing what he's best at. I gotta tell you, standing there ten feet away from the band while the music builds and the energy flows and the band is working and beads of sweat appear on their faces. I really did like the new song, ....I think it’s radio friendly, it did not sound gospel at all and it has a hook that I found myself singing towards the end. 3. tayfan84 ....The Grease cast and crew were by us and we curious to see him. In no time they were dancing (Frenchy) along with him. .... ....I also have to admit that this was just a different Taylor. Just thrilled to be there and doing his thing. I was told at one point not to take still photos. So I stopped. The guy who took tickets was walking around telling people to stop. I love every song. Especially "What's Right is Right". He seemed to love performing it! Heck I loved them all! As I watched him I thought man he must have really been stiffled on Idol but I am so glad he put up with it so I could eventually see him in all his glory! Can't wait for the next concert for the new album. By the way, I feel that $40 was a steal to see Taylor as Taylor was meant to be seen!! 4. soulreporter The new song, you guys will love it and I know it's hard, but it will be worth the wait. It is hard to describe a song sometimes, so let me tell you what it’s not. It’s not rock and roll. It’s not country — although I think a country artist could sing it and pull it off. It’s not gospel, which after listening to the snippet, I thought it was leaning in that direction. I wouldn’t say it’s pop, like a Britney or a Justin, but I think it could be played on the stations that are considered Top 40. It’s not a slow song, but has a smooth flowing, sexy beat. LOL This is hard! To me, it was kind of radio-friendly bluesy, but not hard core blues like Buddy Guy or B.B. King, although I can hear them doing the song too. It was so good, it made me tear up and I know you all will love it. ....Most of the crowd seemed to be in Taylor's age group. 5. skeeter started .....11:15 or 11:20 p.m. and it was after 2 before it was over ....During "Soul Thing" and before "Eastbound", Taylor said that this was the first of many shows he would be doing while on the GREASE TOUR. He said he was going to send everyone first class tickets to each one of them (I WISH ) and then he said "LET ME CALL SOUTHWEST!" Haaaaaaaaaaaaaaa 6. FT ...The keyboardist was amazing, and Taylor was loving his solos...a couple times he'd look at him, then look at us, then look at him, then look at us again and point at him like he was saying "wow, are you hearing and seeing this?". 7. keb Taylor seemed happy and confident and interacted more than I have ever seen, I'm thinking that being in Grease has given him the opportunity to hone his people skills from stage. He laughed, he encourage singing along and damn he never stopped smiling. * Setlist and tags done with the help? of Gypsee, Rimmy, Skeeter , tayfancier : Thanks for being there . 8.Sean Milnamow When we got to the venue, we positioned ourselves very close to the stage. We also positioned ourselves very close to the bar. That night in particular there was a $2.50 special on MGD cans, which is an unheard of price at a concert in the city, especially on a Saturday. Needless to say we took advantage of the deal, and when we cashed out four hours later we had racked up a $55 bill. ....At around 11pm, Taylor hit the stage. He was about eight feet away from us during the show, and we were having a blast. After two hours of singin, dancin, and playing cowbell, him and his band said goodnight and exited stage right. Jackie and I thought the show was over. After we had already gotten our coats on, someone informed us that he would be coming back for an encore, a thought that MGD prevented us from having. So we went to put our coats back and return to the performance area. When we were hanging up our coats, a member of the band walked out of the bathroom and through a swinging door located right next to the coat hangers. That’s when MGD made the first of many bold choices for us that night: we would follow him. We walked through the swinging door and found ourselves in an empty kitchen. Confusion spread through our brains. How did this guy disappear? Were we in a labyrinth? After a few moments of investigation, we noticed a stairwell that went up. MGD gave us another great idea: we should go up these stairs. ....When we got to the top of the stairs, there he was. Taylor Hicks and his entire band stood before us, and they were getting ready to go back downstairs for the encore. As they descended towards the staircase, me and Jackie wished them all luck. Taylor was the last to pass us, and as he walked by I wished him luck as well. “Thanks man!” he said, and then gave me a masculine fist bump, .... ....We couldn’t believe it! Because of MGD, we had mustered up the courage to sneak back stage and meet Taylor Hicks. It was amazing! But at that point we found ourselves in an awkward position… we were alone in Taylor Hicks’ dressing room. All of his entourage had followed him, and we were all by ourselves. So we did the one thing that any star crazed fan would do in a celebrities dressing room: we started eating the free food. We snacked on humus, carrots and celery, and washed it down with bottles of water. I must say, I was a little disappointed in the spread, but I was in no position to complain. At this point I should have been arrested. As we chowed down on the free grub, we could hear the encore below. It sounded great,.... ....After about ten minutes the music below us stopped. We realized the show must be over, but before we could plan our next move our favorite American Idol walked back into the dressing room and sat right next to me. We were both in a state of shock. In all of my years of drinking MGD, nothing productive has ever come out it. Yet here I was, sitting next to Taylor Hicks while an assistant fanned him down. It was like sitting next to Cleopatra. As he sat there catching his breath, I decided to make a move. I said to him, “Great show!” He replied, “Thanks man! What’s your name?” “I’m Sean.” “Hi Sean, I’m Taylor.” Then he shook my hand. He went through the same routine with Jackie. So here we were… hanging out illegally in Taylor Hicks’ dressing room with him sitting next to me, stealing his food and beverages, and struggling to think of something to talk about. After a few moments of silence, I said the first thing that came to my mind. “You know, I spent about seven dollars and eighty cents in text messages voting for you on American Idol.” That was the only thing I could think of saying. Fucking MGD. After making this comment, Taylor looked at me for a moment. Then he asked, “Was it worth it?” I looked him in the eyes, and in a more serious tone than I’ve ever taken with anyone in my life, I replied… “Absolutely.” I believe it was me telling the winner of the most popular show in America how much in text messages I spent on him that made his assistant realize we weren’t supposed to be there. I also ruined my alibi, for if I was a real Maxwell I would probably have an unlimited texting plan. Either way, that’s when his assistant said that we should probably leave. We were in no position to but up a fuss about his request, so we complied. We said goodbye to Mr. Hicks and he told Jackie and I that it was nice meeting us. Walking out of the backstage area made me feel like a genuine groupie. Tons of women were by the door as we walked out, all asking if we knew Taylor… to which we replied, “Of course.” I’m sure they thought to themselves, “They must be associated with the Maxwell House fortune!” We gathered our coats and left the bar, stopping only so Jackie could buy a Taylor Hicks t-shirt. Thank you MGD. For everything. http://seanssabbatical.com/one-night-in-taylor-our-meeting-with-an-american-idol Edited by mouser, Oct 30 2009, 06:51 AM.
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courtesy of Lee ( SOS )
courtesy of dreamhrt
The Lights relect the snow near the Auditorium Theater , courtesy of Crispy








2:38 AM Jul 11