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| Columbus, OH Dec. 16 - Dec. 21, 2008; Palace Theatre | |
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| Tweet Topic Started: Sep 25 2008, 12:45 PM (700 Views) | |
| mouser | Sep 25 2008, 12:45 PM Post #1 |
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FIFTIES QUESTION: Which of the following was not a famous 50's doowop group? A......The Emotions B......The 5 Satins C......The Monotones D......The Penguins ------------------------------------------- December 16 - December 21, 2008 Palace Theatre 34 W Broad St Columbus, OH 43215 (614) 469-1331 TICKETS: Grease Saturday, Dec 20 8:00p at Palace Theatre - Columbus, Columbus, OH Price: $27.50 - $69.50 when available at ticketmaster $ 98. - $117 - $377 ( There have to be cheaper tickets , but the "Grease " tickets are not yet for sale on the Venue site. ) 3 Ways to Buy Tickets 1. Order online: CAPA members use the CAPA Concierge and non-members from Ticketmaster.com 2. Call the CAPA Ticket Office at 614-469-0939 or Ticketmaster at 614-431-3600 3. Visit the CAPA Ticket Office at the Ohio Theatre (39 E. State Street) or any Ticketmaster outlet Tues. 16 8:00 Wed. 17 8:00 Thurs. 18 8:00 Fri 19 8:00 Sat. 20 2:00 Sat 20 8:00 Sun. 21 1:00 Sun. 21 6:30 ON SALE NOV. 6. Check back . SEATING CAPACITY: 2823 SEATING CHART: ![]() THE VENUE: Vaudeville’s Columbus Stage Thomas Lamb, who would design the Ohio Theatre right after completing the Palace, used France’s Palais de Versailles as his inspiration for the Palace Theatre. The construction of the 2,827-seat theatre was personally supervised by vaudeville mogul Edward Albee, and in 1926, the Palace Theatre first opened its doors to the public as part of the Keith-Albee chain. Since the theatre was primarily a vaudeville house, and the performers had to be heard without amplification, great attention was paid to the hall’s acoustics. In 1929, the Palace became the RKO (Radio Keith Orpheum), which it remained until the 1970s. ![]() Home Away from Home Since shows were usually in town for multiple days and sometimes weeks, the backstage area was designed with the actors’ traveling needs in mind. The dressing room tower was organized like a small hotel complete with a "front desk," where performers picked up their room keys and mail. There were also kitchen facilities and a designated children's playroom for touring performers. The dressing rooms are all named after cities on the vaudville touring routes, and still bear those names today. The animals also were taken into consideration-below the stage; a porcelain animal bath was installed. There is also a ramp leading to the stage, as many animals will go up stairs, but not down. Star Power During the '30s, '40s, and '50s, the Palace Theatre was the most active live show theatre in Columbus. Over the years, most of the top names in the entertainment business have appeared at the Palace Theatre, including Bing Crosby, Nat "King" Cole, Louis Armstrong, Benny Goodman, Duke Ellington, Jackie Gleason, Jack Benny, Mae West, Tommy & Jimmy Dorsey, Burns and Allen, Eddie Cantor, Bill Robinson, Glenn Miller, Gypsy Rose Lee, and Harpo and Chico Marx. The CAPA Era In April of 1989, CAPA purchased the Palace Theatre, consolidating its administrative functions with those of the Ohio Theatre. Currently, the Palace is home to performances by The Columbus Symphony Orchestra, The Jazz Arts Group, The Broadway Series, and scores of CAPA-sponsored shows annually, including Kathleen Battle, Natalie Cole, Tommy Tune, Howie Mandel, David Sanborn, Les Ballets Africains, Mandy Patinkin, Raffi, David Copperfield, Manhattan Transfer, Andy Williams, American Indian Dance Theatre, George Benson, Michael Feinstein, Peter, Paul and Mary, and Bonnie Raitt. images courtesy of http://www.capa.com/columbus/venues/palace_about.php RESTAURANTS AND HOTELS: http://www.capa.com/columbus/venues/palace_restaurants.php Restaurants http://www.hotels-rates.com/hotels/locations/Columbus/OH/usa/5453/#trafficLogID=537952363&visited=true Hotels POINTS OF INTEREST :Columbus has a well-earned reputation for historical preservation and takes pride in its heritage, containing a number of historical landmarks, imposing monuments and important memorials Santa Maria 90 West Broad Street, Columbus, Ohio (OH), 43215, USA Tel: +1 614 645 8760 A replica of Christopher Columbus's ship the Santa Maria, used in his voyage of discovery to the New World in 1492, this ship was moored in the Scioto River 500 years later in a 1992 commemoration. Now a historical landmark, it hosts school kids on overnight camps, as well as regular tours. Columbus landmark open: April to October, Wednesday to Friday - 10:00 to 15:00, Saturday and Sunday - noon to 17:00 Columbus landmark admission: charge, discounts available for seniors and children, children under five free. Thurber House 77 Jefferson Avenue, Columbus, Ohio (OH), 43215, USA Tel: +1 614 464 1032 ![]() This was the home of author and humorist James Thurber during his time at college and the setting of many of his most loved short stories. Now listed on the National Register of Historic Places, Thurber House is also a literary center and bookshop. Columbus landmark open: daily - noon to 16:00 Columbus landmark admission: free MEDIA AND REVIEWS: 1. Hicks says he's excited for role in Grease theatrical Wednesday, December 17, 2008 8:52 PM By Jim Fischer Broadway Across America-Columbus will host the touring production of Grease through Sunday, Dec. 21. Tickets are $69.50-$22.50. Visit www.BroadwayAcrossAmerica.com/Columbus for performance times and to order tickets. The role of Teen Angel in the touring production of Grease seems "Taylor"-made for the winner of American Idol season five. Taylor Hicks, the 30-something, silver-haired, R&B-soulster who took the top spot on AI5, made not only his Broadway debut but also his stage debut in the role this past summer. "It's a brand new experience for me, and I'm really excited about it," Hicks told The Beat. "The idea of acting is similar to making music in a band, where you're feeding off (of) each other." "I've learned a lot, too," he said, "about playing a role and about live theatre. It's different every night. That's the beauty of it, the magic." Hicks admitted the role seemed like a natural fit when it was offered. "I'd been offered some different roles (on Broadway) before Teen Angel, but I knew this would be a good way for me to start to understand acting, to add that aspect of performing to my repertoire and become an all-around entertainer, " he said. Those familiar with the film version of the musical should know the role in the stage show is expanded beyond the one song, so audiences will see plenty of Hicks in the show. "I've definitely honed my performance skills on the show," said Hick, a veteran of regional touring and, of course, more recently, TV and big-time national tours. For more from The Beat's interview with Taylor Hicks, read the BeatBlog at www.ThisWeekNews.com. December 19, 2008 Hicks off stage American Idol Season 5 winner Taylor Hicks is on the road as Teen Angel in the touring production of Grease. Hopefully, you read about his experiences in his first stage role in a recent edition of The Beat. In addition to the tour, Hicks recently completed his second album, to come out Feb. 10, he told us. He's very excited about it, which you would expect him to say,k but he went out of his way to say he didn't rush into making this record, suggesting "I've lived with these songs for a while, to make sure they grow right." Not your standard-issue pop star, Hicks is comfortable doing things his own way while still appreciative of the opportunity TV success has afforded him. "Coming from just trying to make it and then having that opportunity, I'm very thankful and very blessed," he told The Beat. "I take to heart and give thanks to the fans. I never lose sight of that as I keep trudging along." Posted by The Beat on December 19, 2008 10:50 AM | Permalink | Comments 2. theater Touring revival of 'Grease' puts emphasis on youth Sunday, December 14, 2008 3:43 AM By Michael Grossberg THE COLUMBUS DISPATCH Joan Marcus Allie Schulz, right, as Rizzo, with other cast members in the national tour of Grease The new Grease is hopelessly devoted to youth. The national tour, opening Tuesday in the Palace Theatre, has cast actors younger than any other Grease on the road or on Broadway. Many of the actors are only a few years older than the high-school characters they play: Rizzo, who sings There Are Worse Things I Could Do; Danny and the T-Birds, who deliver the robust Greased Lightning; and Sandy, whose love aches in Hopelessly Devoted to You. The goal, according to producer David Ian, is to capture the teenage spirits of the retro musical about cliques, rivalries and affairs among seniors at Rydell High, circa 1959. "There's a real focus on youth and casting the parts as accurately as possible in this high-energy musical," Ian said. "The very young cast is a result of deliberately looking for fresh people fairly new to the business." Allie Schulz, who plays Rizzo, made her Broadway debut in Grease in May after coming in third for the role of Sandy on Grease: You're the One That I Want. The NBC reality show helped cast the 2007 revival, which inspired the 2008-09 tour. "I thought she was great when she came along as Baby Sandy (her TV nickname). . . . She's fresh talent, and was about the youngest person to audition," Ian said. A far cry from Sandy, Schulz, 20, plays the 18-year-old Rizzo, the "bad" girl with a bruised heart who leads the Pink Ladies gang. "It's scary as hell to be given such a huge role. So I act like Rizzo and pretend that I've got all the pressures under control," Schulz said. While she had hoped to be cast as Sandy, Schulz said, she knew "There was something stronger and more fiery in me. "Rizzo is always putting people in their place or reminding other kids of what an awful life they're having. "I enjoy playing a dark person who has to fight to stay positive and playful when she's so sad and lonely." Having left high school only recently, Schulz found it easier to connect to the story. "It's still hard to play Rizzo, but I just have to remind myself of times when I felt trapped or judged," she said. "I'm a very sensitive person, which is wonderful for growth but also scary. . . . When someone makes a generalization or assumption about me (as Rizzo), I try to remember how that feels." Schulz has been a fan of the musical since she was a little girl, growing up in Nashville, Tenn., and watching the 1978 film many times. "I loved when Sandy turned sexy, when she owned her sexuality. I didn't really understand it in that way at 7, but I was always thrilled by her transformation. "But I thought Rizzo was terrifying back then. "Yet she was so good at showing her vulnerability in There Are Worse Things I Could Do. . . . That was a huge life lesson. It taught me how to give up control." Years later, Schulz applied that lesson to competing in the reality show. "I'm a control freak, but that show was so out of my hands and so political. . . . I just had to give it up and trust my instincts and hope that my inner joy would shine through the anxieties and the competitiveness." First staged in 1971, Grease continues to be popular in revivals worldwide. "Grease has played in as many countries as any musical I know," Ian said, "because of great songs, good writing and good characters. "Today, we're attracting not only baby boomers but really young people who liked High School Musical and are coming to see another. Grease was the original high-school musical. "It's pretty timeless. . . . Those '50s-style leather jackets and jeans don't look old-fashioned. . . . It's still cool to wear that." mgrossberg@dispatch.com http://dispatch.com/live/content/life/stories/2008/12/14/2_GREASE.ART_ART_12-14-08_E7_VTC6GOC.html?sid=101 -------------------------------------------------------------------------------- • will be presented at 8 p.m. Tuesday through Friday, 2 and 8 p.m. Saturday, and 1 and 6:30 p.m. next Sunday in the Palace Theatre, 34 W. Broad St. Tickets cost $22.50 to $69.50 at the Broadway Across America office, 10 W. Broad St.; the Ohio Theatre box office (614-469-0939) and www.broadwayacross america.com. 3. ![]() 4. THEATER REVIEW | 'GREASE' Youthful cast brings energy to familiar musicalWednesday, December 17, 2008 12:17 AM By Michael Grossberg THE COLUMBUS DISPATCH GREASE Grease will be presented at 8 tonight through Friday, 2 and 8 p.m. Saturday and 1 and 6:30 p.m. Sunday at the Palace Theatre, 34 W. Broad St. tickets cost $22.50 to $69.50 at the Broadway Across America office, 10 W. Broad St.; the Ohio Theatre box office (614-469-0939); Ticketmaster outlets (614-431-3600, www.ticketmaster.com); and www.broadwayacrossamerica.com. Smooth and slick and fun but emotionally as deep as a 1950s crew-cut, the new Grease lives up to its title in too many ways. The more-youthful casting works up to a point in the peppy Broadway tour, which opened yesterday at the Palace Theatre. The performers certainly sing and dance well, reflecting the spirit of vibrant but insecure adolescence. Yet, the acting mostly ranges from the generic to the cartoonish. Director Kathleen Marshall makes up somewhat for the one-dimensionality when she isn't causing or allowing it with nifty choreography, brisk pacing and elegant scene transitions. As disc jockey Vince Fontaine, Dominic Fortuna leads a pre-show with wisecracks, a sing-along and hand waving designed to set the mood and capitalize on aging boomers' palpable desire to fall in love again with a favorite musical about idealized high-school rites of passage. Such expectations falter a bit as the two-act show progresses, buoyed here and there by the energetic reprise of Summer Nights, Greased Lightning, We Go Together, Born to Hand-Jive and a few other golden sequences. Even those great songs are undercut by a blaring oldies-rock orchestration that occasionally obscures lyrics. That may especially irritate those who walk in without already knowing all the words (but for the baby-boomer generation, who doesn't?). While the 1978 movie was a star vehicle partly because of the many close-ups on John Travolta, Olivia Newton-John and Stockard Channing (the definitive Rizzo, much missed onstage) the stage version always was more of an ensemble piece. Without the star quality needed to add personality and nuance to their roles, the young actors playing the leads tend to approach individuality only during their solos such as Sandy (by Eric Schneider as greaser Danny), Hopelessly Devoted to You (by Emily Padgett as school newcomer Sandy) and There Are Worse Things I Could Do (by Allie Schulz as tough-but-tender Rizzo) A pleasant exception: David Ruffin, whose sensitivity as Kenickie can be felt throughout his scenes. Predictably, the strength of this tour, which reflects the movie more with added songs, is its ensemble and crowd scenes. Among the supporting players adding vivid humor: sweet but hapless Frenchy (Kate Morgan Chadwick), gawky Doody (Brian Crum), nerdy Eugene (Scot Patrick Allan) and Miss Lynch (Roxy Lucas). Taylor Hicks, an American Idol winner, seizes his magical moment. As Teen Angel, he sings Beauty School Dropout with a stirring voice and charming presence that nods with a few grins to his celebrity. Others may prefer the golden-oldie singers who filled the role on film or previous tours, but Hicks gets my vote. The candy-colored design and glow of idealized nostalgia extends through Derek McLane's scenery, Martin Pakledinaz's costumes and Kenneth Posner's lighting. Many fans will walk into this revival wanting to like it more than they will when they leave. Even so, the songs are such catchy favorites that just about everyone should have a good-enough time. mgrossberg@dispatch.com http://dispatch.com/live/content/life/stories/2008/12/17/theater_review_grease.html?sid=101 5. Theater Review | Grease Young ensemble energetic but not hopelessly devoted to actingThursday, December 18, 2008 3:16 AM By Michael Grossberg THE COLUMBUS DISPATCH Slick and fun but emotionally as deep as a 1950s crew cut, the new Grease lives up to its title in many ways. The more-youthful casting works -- up to a point -- in the peppy Broadway tour, which opened Tuesday in the Palace Theatre. The performers sing and dance well, reflecting vibrant but insecure adolescence. Yet the acting mostly ranges from the generic to the cartoonish. Director Kathleen Marshall makes up somewhat for the one-dimensionality with nifty choreography and brisk pacing. And her candy-colored concept of idealized nostalgia extends to Derek McLane's scenery, Martin Pakledinaz's costumes and Kenneth Posner's lighting. As disc jockey Vince Fontaine, Dominic Fortuna leads a pre-show with jokes, a sing-along and hand waving designed to capitalize on boomers' desire to fall in love again with a musical about high-school rites of passage. Although such expectations falter a bit through the two acts -- hampered by a blaring oldies-rock orchestration that occasionally obscures lyrics -- they're buoyed by the energetic reprise of Summer Nights, Greased Lightnin', We Go Together, Born To Hand Jive and a few other surefire scenes. Although the 1978 movie was more of a star vehicle, the stage version is an ensemble piece. Without the charisma or maturity needed to add depth and personality, the actors playing leads approach individuality only during solos -- such as Sandy (Eric Schneider as greaser Danny), Hopelessly Devoted to You (Emily Padgett as newcomer Sandy) and There Are Worse Things I Could Do (Allie Schulz as Rizzo). A pleasant exception is David Ruffin, whose sensitivity as Kenickie can be felt throughout his scenes. Predictably, the strengths of the tour are its ensemble and bustling crowd scenes. Among the most vivid supporting players: hapless Frenchy (Kate Morgan Chadwick), gawky Doody (Brian Crum) and jaded Miss Lynch (Roxy Lucas). Taylor Hicks gets my vote as Teen Angel. The American Idol winner sings Beauty School Dropout with a stirring voice and charming presence that nod to his celebrity. mgrossberg@dispatch.com http://www.columbusdispatch.com/live/content/life/stories/2008/12/18/2_GREASE_print_review.ART_ART_12-18-08_E4_6NC910I.html?sid=101 6. December 22, 2008 Grease: Broadway across America I was in Junior High when I first discovered the movie Grease! It was love at first sight. We would watch it at sleepovers and sing every song word for word. Even now as an adult I still love watching it....that is if my hubby doesn't put up too much of a fuss over it ![]() I was so excited last week when I was invited to go see Grease in Columbus. I immediately got on the phone and lined up a babysitter for my kids. Thankfully, I didn't have to look too far. My mom and dad agreed to watch them for us. My hubby and I had the night to ourselves. Sheer Bliss! He didn't even care that we were going to a musical. He was just happy to have a date with his wife. This was my very first experience with seeing a Broadway play. The first thing that struck me was the beauty of the theater. It was striking, and it made me feel all fancy just being there. Our seats were about 20 rows back from the stage off to the side. We could see wonderfully. Grease is a musical by Jim Jacobs and Warren Casey. It takes its name from the 1950s United States working class youth subculture known as the greasers. The musical, set in 1959 in fictional Rydell High in Chicago, focuses on the romance between high schoolers Danny Zuko and Sandy Dumbrowski and tackles such social issues as teenage pregnancy and gang violence. Themes include love, friendship, teenage rebellion, sexual exploration during adolescence. The show's score celebrates '50s rock and roll as well as doo-wop and other contemporary styles. If you have never been to a Broadway play before. I highly recommend trying it out! You will not be disappointed. http://pbandpickles.blogspot.com/2008/12/grease-broadway-across-america.html 7. Great warm-up act By Richard Ades Published: Thursday, December 18, 2008 2:13 PM EST Vince Fontaine is a minor character in Grease, but he plays a big role in the touring production at the Palace Theatre. Portrayed by an outgoing Dominic Fortuna, he comes out before the show to warm up the audience. His localized routine makes good-natured fun of Obetz and includes several sing- and dance-alongs. Most impressively, its obligatory Michigan joke is actually funny. (How do you keep Wolverines out of your yard? By erecting a goal post.) If only the rest of the cast were as charismatic as Fortuna, this would be a Grease for the ages. But the other players consist mainly of young unknowns with varied singing and acting skills. Combined with a miniscule, synthesizer-dominated band, they sometimes get our toes tapping, but they seldom elevate our spirits. There are exceptions. “Mooning,” sung engagingly by pudgy sweethearts Roger and Jan (Will Blum and Bridie Carroll), is a sweet ballad with Elvis overtones. “There Are Worse Things I Could Do” is bad-girl Rizzo’s chance to shine, and actor Allie Schulz takes full advantage, making up for her too-nice portrayal. Starting the second act with a bang, “Shakin’ at the High School Hop” backs up an entertaining dance contest that showcases director-choreographer Kathleen Marshall’s best moves. Obviously, the 1950s-flavored rock songs are the real stars in Jim Jacobs and Warren Casey’s veteran musical, but the actors are charged with not only singing them, but carrying off the silly plot that ties them together. In this production, some are barely up to the task. In the lead male role, Eric Schneider is tuneful and boyishly roguish as Danny, leather-coated leader of a school gang called the T-Birds. But as Sandy, his stubbornly virtuous love interest, Emily Padgett is a bit bland. She also sports a voice that, though pretty, is not quite strong enough to really sell solos like Act 2’s “Hopelessly Devoted to You.” Other cast members sometimes distinguish themselves, but mostly they don’t. The Pink Ladies, the female misfits led by Rizzo, come off as stereotypical floozies (though Kate Morgan Chadwick eventually manages to stand out as would-be beautician Frenchy). And as for their male counterparts, the T-Birds are about as menacing as a 1990s boy band. Despite its shortcomings, this production of Grease has several strengths, including Derek McLane’s attractive scenery. It also can point to two things that set it apart from earlier versions: namely, the presence of American Idol winner Taylor Hicks and the inclusion of several songs from the popular 1978 movie. Hicks is mainly around to give the cast some name recognition, being limited to a single tune (which he performs well enough) as the “Teen Angel.” But the extra songs are a big deal, especially the climactic “You’re the One That I Want.” INFO: Broadway Across America-Columbus will present Grease through Sunday at the Palace Theatre, 34 W. Broad St. Showtimes are 8 p.m. through Friday, 2 and 8 p.m. Saturday, 1 and 6:30 p.m. Sunday. Running time: 2 hours, 25 minutes (including intermission). Tickets are $22.50-$69.50. 614-431-3600 or BroadwayAcross America.com. Without it, viewers would be sent home a lot less satisfied, knowing that what they really wanted was to see more of the talented Fortuna, who started the evening off on such a high note. SOUL PATROL MEMORIES: 1. c4tay's friend Wed. performance : .... theater was about 75-80% full and that, generally, the orchestra and cast, including Taylor, were received well. He thought the biggest laugh in the show came from Frenchy's line, "I voted for you!" The audience LOVED that! Taylor's harmonica playing was really enjoyed by everyone also, and he got his biggest applause when he played that. ....Taylor's voice really sounded great in the theater and that each note was right on. It looked as if Taylor were really having fun with his part. He didn't dance too much in the finale, but moved to the music in the back of the others, except when he was playing the harmonica or soloing front and center in the last mega-mix of songs. All in all, it was a good show and Taylor did well 2. Bonnie 12/20/2008 The house was totally full! She would guess 98 percent. Taylor's performance was met with huge response. When he came out from the cone, the applause was "thunderous". Frenchie did the "I loved for you" thing, and that went over very well. People were yelling out from the audience: SO DID I! .... there were differences from when we saw the shows in New York. She said that Taylor definitely added some "SEASONING" to it. Much more playfulness, and more ELVIS SWAGER and hip swiveling. courtesy of coder 3 scarletngraygal ( live journal ) Before the musical even started Vince Fontaine was on stage entertaining the audience with Runaround Sue and Great Balls of Fire, which he managed to get the audience involved in with the chorus and 'Heys'. Of course, adding in the famous 'O-H' between songs didn't hurt! And Taylor Hicks as the Teen Angel? Wow! He sang Beauty School Drop Out, during which Frenchy said she voted for him, causing the whole theater to burst into laughter. He even played the harmonic, which was pretty cool. Considering how small his part was (one musical number and the medley at the end), he got an extraordinary amount of applause, more than anyone else. I just loved it so much! 4. coder The theatre was bigger than Brooks Atkinson, and it was beautiful. A lot of ushers, too! -- Taylor was "VERY WELL RECEIVED" tonight. -- When Frenchy was on the picnic table, & Teen Angel was singing to her, she looks at him and says "YOU'VE BEEN A BAD, BAD BOY". Taylor looked a little surprised, so don't know what that was about. 5 sturgess As it appeared in the Columbus Dispatch , letters section: I enjoyed reading Michael Grossberg's informative review of Grease ("Young ensemble cast energetic but not hopelessly devoted to acting," Thursday, Life & Arts, Page E4). The Broadway version I saw had a somewhat different cast, of course -- but it was the same production. The entertainment was good, but Taylor Hicks made the show for me. When he appears onstage, the audience feels his star presence -- the best voice in the show. And the guy is a natural-born entertainer. All that said, I also enjoyed the show in general. And I was glad to read Michael's impressions. 6. Changingtimes If you get a chance to see Grease, its a really fun night! True, you'll wish Tay was on stage longer - but honestly - I feel the same way in concert - never want him to leave the stage. courtesy of Bonnie aka yengjenEdited by mouser, Dec 29 2008, 06:06 PM.
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courtesy of coder
courtesy of Bonnie aka yengjen



2:37 AM Jul 11