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IDOL REWIND: TAYLOR WINS AGAIN !
Topic Started: Aug 30 2009, 10:24 AM (7,685 Views)
mouser
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Oldiebutgoodie
Jan 24 2010, 08:50 PM
I guess I can "deal" knowing in the end that Taylor made it. (pun intended!!)
Yep.........OBG.........Taylor sewed it up alright!!!!
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mouser
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'American Idol Rewind': Taylor Hicks on Ellen, Advice and Clothing Regrets
Posted 02/01/10, 5:00 PM GMT by Anna Dimond

http://television.aol.com/american-idol/2010/02/01/american-idol-rewind-taylor-hicks-interview/


It's been five years since Taylor Hicks rose to national fame as the winner of 'American Idol''s fifth season. On Saturday, the bluesy crooner will return to TV in the new season of 'American Idol Rewind,' which is nationally syndicated. Encore episodes air on TV Guide Channel (times differ by city).

With his soulful performances and shock of gray hair, Hicks edged out Katharine McPhee to take season 5, and went on to top the Billboard chart with his No. 1 single, 'Do I Make You Proud?"'

In the years since, the Alabama native has released his own memoir, 'Heart Full of Soul,' been named most eligible bachelor by PEOPLE magazine, and released his first album on a major label -- which dropped him in late 2007, following disappointing sales. A year later, he headed for Broadway to perform in 'Grease,' and has since signed a new deal with Vanguard for future distribution.

As 'American Idol Rewind' returns, Hicks spoke with AOL about his views on his 'Idol' run, what he would have done differently and what advice he would offer season 9's new crop of hopefuls. Plus, he dishes on how he thinks Ellen DeGeneres will fare as 'Idol''s new judge (hint: Simon better work on his jokes).


Where are you now, and what are you up to?


Schenectady, New York. 'Grease' is performing for a week up here. I've been on the road with 'Grease' now since December of last year, and I did a six-month extension.

How has the experience been?
The Broadway experience has been awesome. I never thought in a million years that I would actually star in a Broadway show in New York City. ... The acting bug has bitten me.

What was it like working on 'American Idol Rewind'? Was it like taking a walk down memory lane?
I don't think that I've been able to really sit down and watch my whole season, because I've been so busy, but I've been able to watch bits and pieces of 'American Idol Rewind,' and you don't really realize what a big deal that was until you sit down and go back and watch through it again.

I'm sure it was a huge whirlwind ...
It is a huge whirlwind, but now you go back and you look at it, it's almost all the sweeter.

It's been a couple of years since your run on the show. Has your perspective on it changed at all? Is there anything that surprised you?
I'm kind of biased for my season being the best season of 'American Idol,' maybe because I was on it. To me, I thought the theme weeks have been the best, so far that I've seen. Everything from Rod Stewart to Stevie Wonder to Queen, all those theme weeks stood out.


How do you now see your self as a younger person, going through the competition?
Well, I definitely think that my style has gotten better, and my hair has gotten shorter. So I don't look as much like the grungy bar musician as I used to.

Looking back, is there anything you would have done differently?
When I look back and think about it, [regarding] the choices that I made on the show, from a musical standpoint, I don't think that I would go back and change. But would I have changed the paisley shirt? Probably.

I think most of us would say that about what we were wearing five years ago.
But when you're wearing something in front of like, 30 million people a night, it could have been spiced up just a little.

Has 'Rewind' given you a chance to catch up with some of your co-contestants from your season?I do keep up with the people in my season, as much as I can. When I see them doing really well, I always shoot 'em a text and wish them congratulations, would it be a new record or a new role in a movie. There are just so many people from my season that are still in the business and still doing really well. Especially when 'Rewind' came up, I did shoot some texts, laughed back and forth with people.

What advice would you give to the new crop this year?
Be careful and don't use your cell phones too much. There's so many people calling you once you get on TV, if you don't watch it, you'll lose your voice.

How will Ellen DeGeneres fare this year?
I think Ellen will be great. I'm excited about Ellen being on the show, and I know Ellen's jokes will be funnier than Simon's.
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Barbieflausa
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I am glad Taylor is out and about...via TV, radio, or whatever means. The only way he can put the myth that he's a has-been is to get out there and be the Taylor we all know he is.

:cs
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Gr8fulheart
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Just received the following info. Highlighted, is only a portion of the article pertaining to Taylor.


http://www.expressnightout.com/content/2010/02/american-idol-auditions-road-to-hollywood.php

And tomorrow, get an extra burst of "Idol" goodness: the second half of my interview with season five winner Taylor Hicks. It'll be in Express' print editions and online here.

Photos courtesy Fox

Posted By Greg Barber at 10:45 PM on February 3, 2010
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mouser
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Here is the download for the Rewind TOP 10 : Taylor sings "Trouble" Thanks to Gypsee for the download


The Original performance by Taylor

The Rewind of Taylor



Hi Def Avi With Scroll:
http://www.sendspace.com/file/w6wc4w

Good Quality Minus Scroll WMV:
http://www.sendspace.com/file/c2ss6y



The Masterclass Lady gives her opinion of Taylor singing "Trouble"

Taylor Hicks: “Trouble ” originally performed by Ray LaMontagne http://masterclasslady.com/2006/03/30/#th

Strengths: Taylor –I know I am in the presence of a great artist when I can thoroughly enjoy a song that is totally unfamiliar to me. It was all about the singing and. Taylor, this week we heard the power of your soulful vocals. Finally, you gifted us with a slow and passionate ballad that accentuated your superior vocal gifts.

Additionally, you communicated this song with superb respect for the emotional core of the lyrics. My first impression was that, like Paula, I was totally enjoying the fact that you were glued to the microphone stand, encouraging you to touch and move us with your inherent vocal artistry and creativity as opposed to the “ tayloresque” dance moves that we have been enjoying from week to week. It was all about the vocals and indeed you delivered as promised.

The slower pace of the song encouraged you to sustain your pure vowels in a very consistent manner, as evidenced when you vocalized the word “Trouble”. Because of this, your voice enjoyed a rich, more radiating presence throughout this song, allowing the melodic line to be highlighted through the cohesive pure vowel placement in your vocal masque

Additionally, your phrasing was wonderfully musical and your sustained a forward momentum that is so important in really musical and technically secure singing. Yet, every once in a while, your distinct whisky tenor voice was a welcome introduction in this song, emphasizing the tormented and angst nature of this song selection. It was a wonderful blend of rustic and classical vocals that really identified you as a unique artist, Taylor.

As always, you were committed to your audience and this commitment resulted in a stellar and meaningful performance that touched and moved your listeners. Your soul was totally exposed when you sang, Taylor, and the music flowed from your heart. This is not something that can be taught; this is an inherent characteristic that identifies a great performer. And, yes, Taylor, you fall into this unique category. You are taking us on some wild ride and we are all the better for it! Kudos and bravo my man!

Critique: Taylor – like Paris, I found nothing to improve on your performance. You finally gifted us with a soulful, vocally resonant ballad and this vocal suggestion was saturating my critique of you from week to week. However, after this week’s showcase, you showed us that you are indeed a very fine vocalist and I am very certain that, as long as you maintain the ever important pure vowel sustaining element in your up-tempo songs, we will continue to be excited by your distinctive and soothing vocal presence. Congratulations Taylor. This was one of the top performances of the week.
Back to Top

Rosanne Simunovic is the Voice Instructor and Conductor for the. If you have any further questions our comments, please at e-mail her. If you want to hear how she applies her technical methods to a variety of musical styles music, have a listen to one of her double disc CDs, Scenes from a Dream, a live compilation featuring outstanding performances between 1984-2000 with the Timmins Youth Singers and renowned classical, Broadway, and pop artists. Enjoy!
Edited by mouser, Feb 8 2010, 03:15 PM.
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Gr8fulheart
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Thank You ~ Thank You for the download!!!
As for the 'styling'? I have only one word to say: ;wh :cs :swn
OK~so its more than one word! He wore it well! ;)

~~~~~~~~~~~~~
I had to return. This week it was 'Country Roads' for me. :'( I remember thinking it was sooooo good that Taylor's ability was not based on one song. I also remember when he did the Boutwell interview, he said he went back to listen to the performance & admitted he was 'flat' all the way through the song. Must say, I agree.
Well, that part of the AI Rewind Season5 competition is a done deal for me. :wh
NEXT!
Edited by Gr8fulheart, Feb 6 2010, 09:20 PM.
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mouser
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We haven't gotten to Kenny Rogers yet. The Top 9. Maybe they won't show it????

loveaddiction1


supersarav at the West Virginia Tour Stop.
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mouser
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Top 10 Screen Caps


Posted Image

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No Trouble for Taylor Posted Image

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Guess which facial reaction goes with which judges comments: This is not easy.
Posted Image
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Posted Image A little of my creative artistic work OR Double Exposure.
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san
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This is a beautiful thread as we relive the journey on AI. Thanks to everyone who is contributing to it. I wish I had more time....

I loved the second "Country Roads" that Taylor and Ace did in West Virginia. You know what they say about the "second time around..." "Well, yes, I can do Country Roads!"

It was interesting that he tweeted this video. Did it correspond to the date/or week he did the first one on Idol?

I love this thread! Only, I get emotional viewing it! Soppy me!! :)


P. S.

Okay, I just had to come back and comment about the clothes! Maybe in the beginning there was a little too much acid in the jeans, but he appropriately wore a tie to the White House and he can do no wrong after that! hehe!

The picture that Mouser posted of his attending an event with gorgeous suit was one where a teenager magazine (I believe) named him "best dressed" at the event!

Look at that picture! Best dressed, indeed!







Edited by san, Feb 7 2010, 11:17 AM.
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jazzytide
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He is the geatest singer that know and I love his music.
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tishlp
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Jazzy, that is so sweet. :fht
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mouser
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From the IdolChatter Archives : USA Today 2006

THE OUTLOOK


Face it, Taylor Hicks is a bit of a goofball. He's in the top 12 mainly on personality, but unlike so many past contestants, his is a truly likable, if highly spasmodic, personality. And he can sing. Not as well as Chris Daughtry, Elliott Yamin, Ace Young or most of the women, but he works that old-time soul vein adeptly. (Though in his more intensely Joe Cockeresque moments, it seems that vein might just burst.) As with Chris, it will be interesting to see how he handles songs outside his wheelhouse. But for now, he's my favorite dark horse.




LIVIN' FOR THE CITY


Taylor has a clear sense of his musical scope, once again evidenced by his shrewd choice of the, well, tailor-made testifying soul ditty Living for the City. He tossed in enough of his patented "heys," spins and grimaces to put his quirky stamp on the song. He should have no problem sailing through to the next round.





THE 50'S



Pretty well loved by now, he's no longer the eccentric wild card but a true contender. And again, the right song from the '50s could suit his vocal style. I like the Little Richard, Ray Charles and Chuck Berry suggestions that have come in.





NOT FADE AWAY


The second Buddy Holly song of the night, Not Fade Away (a non-hit at the time made more famous later by the Rolling Stones), came courtesy of the always-natty Mr. Hicks. It was a bit fussily funked up, but an entertaining rendition. The big ending suggested by Manilow was as useful as wings on a snail, but all in all, it was likable enough.




TROUBLE
I was worried about Taylor's range of possibilities in 21st century music, but he came up with a cool choice: singer/songwriter Ray Lamontagne's Trouble, a perfect deep-soul number for the modern era. Bonus: Taylor gave us his most restrained, sensitive performance yet. I'm impressed

Edited by mouser, Feb 8 2010, 03:24 PM.
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Gr8fulheart
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I love how the progressive interpretations seem to roll right along with Taylor's plan of action. Smooth, Move :thumbsup
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mouser
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alltv}

http://hot-celebrity-news-photo.blogspot.com/2010/02/alltv-idol-contestants-continue-journey.html

Idol Contestants Continue Journey

You sing, you shine and for a brief moment you're the most talented person in the room. But on American Idol, that feeling doesn't last very long. Just ask Ace Young and Taylor Hicks. The Season 5 contestants are currently reliving their journey on American Idol Rewind, and it's brought back some memories – good and bad.

"My rude awakening was when we all got to our seats in Hollywood, and everybody started singing the "Rent" song ("Seasons of Love"). I realized that there were 250 of some of the best singers that I've ever heard in my whole life," says Hicks, who ultimately led the Soul Patrol to Idol victory in 2006. "It was one of the most fascinating six months that I'll ever have in my whole life. I won! I can't believe it," he laughs.

With the current season's auditions behind us, viewers are getting ready to see 181 contestants try to stand out during Hollywood Week, the stage in the competition that exists only for singers to choke. And based on eight previous seasons, Hollywood Week also seems to be an invitation for great singers to be remembered for all the wrong reasons. "On my season, we enjoyed the crazy people until you had to hang out with them," says Ace Young. "There was a guy in Hollywood week that jumped the stage, landed on the judges' panel, jumped back down and got back on the stage, and rolled around like a dog trying to get a bug off of him. He made the show and that's all he wanted."

For those singers who want to make it beyond the first few weeks, Young and Hicks offer some practical advice. "All of the songs that I did on the show, the last 30 seconds I wrote musically, because an ending is important," says Hicks. "I've learned that, singing in bars. You might have played the song terribly, but if you have a big ending, people might stand up and clap."

Adds Young. "Be prepared to work. There are 200 people just like you, and they're getting cut from day one," he says. "Don't play with the other people. Don't stay up and be a child. You've got to look at it like work. Realize your whole family is expecting that from you."

And according to Young, for those who make the Top 24 the journey is just about to begin. "That's why we watch the show, because somebody's life will change."

American Idol Rewind is nationally syndicated. Please check local listings.
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mouser
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THE TOP 9 with Kenny Rogers as the mentor.

Taylor sings "Country Roads"


A really bad omen to open the night: the revelation that the Idols would be coached through the unfamiliar and treacherous shoals of country music by Kenny Rogers. Think this could be bland tonight?

USA Today, Idol Chatter noted, "Taylor didn't help by singing the sickly-sweet John Denver song Take Me Home, Country Roads. Song choice, people. By far his worst, most colorless performance, and he sounded dangerously off in his higher register at the end."


Taylor Hicks: “Take Me Home Country Roads”

Written by masterclasslady

April 6, 2006 at 4:16 pm



Strengths: Taylor –it was great to see you looking relaxed and comfortable behind the microphone. Once again we were able to focus on your gently unique vocals and this performing position also encouraged you to technically enhance your vocal sound. Your mouth was continuously circular on the pure vowels, as you worked hard to avoid the pitfalls of those nasty country diphthongs.

You added some wonderfully intuitive melodic variations in this country classic. This is so important when you sing any cover song, but never more so than in the performance of country music. The repetitive nature of its natural folk music quality demands a musical and creative approach from the singer. If not, the song begins to sound mundane and ordinary. It is all about the communication and Taylor, as always, you have a warm open presence when you perform, allowing the listener to enjoy and feel your music.

I loved hearing the fabulous mix of your pure lyrical vocals and your rustic vocal sound. These nuances added nice variation to the melodic and lyrical delivery of this number. Great work, Taylor!

Critique: Okay Taylor, who made you sing this song? Every week, I always felt that you were totally committed to the emotional essence of your song selections. However, this week, your body language was sending out different vibes. This song certainly didn’t speak to your superior level of artistry.

Is this the same Taylor who selected last week’s song, “Trouble?” I can’t believe that you went from such a soulfully intricate song like Trouble to such a one- dimensional mundane song selection as Country Roads?

There was a visual and auditory disconnect in segments of your performance this week, Taylor. Additionally, your voice lacked your customary intensity and focus. Yes, the vowels were pure and the face was open and expressive, but the diaphragmatic support was almost non-existent. Additionally, this lack of support accentuated a nasal tone in your voice that was never an issue in previous weeks.

Additionally, as much as we could appreciate your vocals this week, Taylor, you needed to move away from the microphone and work the stage. This is not a song that can be delivered while being glued to the mike. Perhaps you were frustrated as well. You use your body well when you sing and I could see that those feet were itching to do some stage traveling. (chuckle)

Also, I feel that, perhaps, the key of the song was a tone too high. The melodic line was not sitting correctly in your vocal register. Be very careful of key selection. Do not select songs that sit too high in your register, therefore not allowing you to display the depth and beauty of your mid and lower range. Your vocal quality in your high register is very light and, because the melodic line hovered continuously in this area of your voice, your overall vocal sound was very thin.

Finally, as this was an up-tempo song, you must practice your up-tempo songs slowly – like vocal yoga –making certain that the sustaining pure vowel element is being supported through proper diaphragmatic breathing technique. Generally, I felt that the overall arrangement of this song was very rushed. It was as if an ambulance was on its way to take you home via the country roads. The tempo of the background music didn’t allow you to breathe effectively and we were left with a hurried and frantic performance. I know this is a 60- minute show, but still…

So, let’s jump back on the horse, Taylor and knock some Queen out of the ballpark next week! Good luck!
P.S. I didn’t like this song either (chuckle) and I missed the dancing!


Redemption :





Here are the DOWNLOADS for the Show
Thanks to Gypsee for the downloads

Top 9 Hi Def With Scroll:
http://www.sendspace.com/file/ou5blz

Good Quality Without Scroll:
http://www.sendspace.com/file/cd33ro
Edited by mouser, Feb 13 2010, 07:12 AM.
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mouser
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TOP 9 SCREEN CAPS


Kenny Rogers giving tips: Posted Image

Posted Image

Fiddlin' Jim adds his touch to the song

Posted Image


Posted Image

Taylor says, " I liked it" or "Thank goodness that is over"

Posted Image

Posted Image Randy Reaction

Posted Image Simon Reaction

Posted ImagePaula Reaction
Edited by mouser, Feb 13 2010, 10:20 AM.
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mouser
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THE TOP 8 SING "QUEEN" :



TOP 8 Queen Medley windies82



USA Today Idol Chatter
Taylor goes "Crazy"
I was expecting Crazy Little Thing Called Love to be fine, and it was. For dramatic dance moves, Taylor didn't equal Kellie but he sang with some fire, which he desperately needed to do after sleepwalking through John Denver-land last week. Goofy but fun.

THE MASTERCLASS LADY REVIEW

Taylor Hicks: “Crazy Little Thing Called Love”

Strengths: Taylor –when I first heard that you were performing this song, I had a slight misgiving about your song selection, not because it wasn’t suited to your voice; on the contrary, I think it is a really great match. What concerned me was the over-exposure this song has endured on numerous Idol shows, so I was worried that this would attract a less than enthusiastic viewer response.

However, that was before I heard this week’s Taylor-made, version of this great Queen classic. Talk about your molding a song to suit your own style! Finally, after a couple of weeks, the Idol fans were once again gifted with the authentic Taylor Hicks and not a moment too soon. I don’t blame you for kicking that microphone stand out of the way; it was an impediment to your uniquely exciting singing style. You were finally released from the mike stand confinement and what a difference it made in your performance.

At the outset of this song, I could feel the “Elvis” vibe that has created such a buzz throughout the message boards and the media. You were definitely channeling some “Elvis”, but as the song moved along, it was all about Taylor the artist. You came with one mission to accomplish – to entertain your legions of fans – and your love and passion for the art of music was exemplary. You are in this business for all the right reasons!

I loved everything about your stage choreography, from the double kick of the microphone stand, to the rhythmic up and down movement on the stage steps, to the interaction with the audience as you moved onto the secondary stage in the audience. It was an animated, buoyant and dynamic showcase that truly celebrated all that is wonderful about exciting live performances.

Vocally, your voice enjoyed a renewed sense of energy, simply because you were no longer restrained to one position on the stage. Your whiskey tenor voice beautifully embraced the melodic line and the lyrical content came alive with your soulful interpretive skills. I always have great respect for an artist who strives to bend or mold the original melodic line; it adds an element of originality and creativity to the overall performance of a song that has been covered by so many artists. Your unique, personal approach to this song performance was just outstanding, Taylor.

Also, you never pushed your voice to create a bigger sound – you allowed the vocal sound to evolve through your innate means of expression. I always tell my singers that many of the technical issues disappear if you immerse yourself into the soul and essence of the song’s emotional core. You have to live and breathe your song during a performance and no one does this better than you, Taylor.

Your profound love and respect for the art is extraordinary and you impart a professional approach to your song style each and every week. Your sense of fun and abandon on that Idol stage is contagious and your love for the art is inspiring. The joy of music! What a concept and you truly embrace and respect this concept each and every week on that Idol stage.

Bravo Taylor! This was just a gem of a performance!

Critique: I have very little to critique this week Taylor. I am just thrilled that you have been allowed to represent your distinct artistry. The stage is your home, not the microphone stand and you, as well as all the singers, must be allowed to explore this performance terrain. How else can you fully communicate an upbeat joyful song like Crazy Little thing Called Love? Not possible.

Now, what I would like to hear from you is more of that gorgeous sustained vocal sound that I enjoyed when you performed Trouble a couple of weeks ago. It would be great to discover a song that would address both sides of your artistic personality: the vocalist AND the performer. Also, it would be additionally beneficial to find a number that would highlight other areas of your vocal range, more specifically, the mid and lower range. I suspect that next week’s music will be very conducive to this.

Congratulations on a spectacular showcase this week, Taylor! Bravo!





Download Link: Thanks again to Gypsee
http://www.sendspace.com/file/z2ur1l

This was the week that Taylor was to have sung WE ARE THE CHAMPIONS , but had to change to CRAZY LITTLE THING CALLED LOVE.........
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mouser
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SCREEN CAPS FOR TOP 8 IDOL REWIND

Talking it over with Andrea and David
Posted Image

Posted Imagefrom Gypsee

The infamous mike debacle
Posted Image

Discussing the mike incident Posted Imagefrom Gypsee

Posted Image

Posted Imagefrom Gypsee

He gets crazy with Crazy Little Thing Posted Image

Is this "Going Around in Circles"?Posted Image

Is Taylor into this song or is he in pain?Posted Image

Posted Imagefrom Gypsee

Reactions from Randy, Paul and Simon: It seems he was happy with all the comments or else he was just laughing at them. Posted Image
Posted Image
Posted Image

Summing up the experience
Posted Imagefrom Gypsee

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Gr8fulheart
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I must admit, I also got a little lost & crazy when he performed this song. This AI Rewind week brought back a really good feeling!

That's our Taylor ~ Havin Fun With His Artistry, & Sharing It With Us!
:bls :cs :bls :cs :bls

The MasterClass Lady's review is 'spot-on' too! I believe this is the lst time I've seen it.

Thanx Gypsee, for the downloads & screen caps! ;wh
Edited by Gr8fulheart, Feb 14 2010, 08:13 PM.
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mouser
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To read the entire article , please click on this link: I have listed Taylor's responses only: Note the reference to The Green Mile which ironically appeared in a tweet just yesterday. http://www.thedailybeast.com/blogs-and-stories/2010-02-15/tales-of-hollywood-week/


The Daily Beast : Tales of Idol's Hollywood Week by Richard Rushfield

During the second round of American Idol, 200 singers get cut down to 24. Richard Rushfield talks to Idols past about being recognized by John Mayer, hugs from Paula Abdul, and being denied the bathroom.
From top to bottom, the American Idol experience is a harrowing journey for all who embark upon it. But at no stage is the tension more acute than in the Hollywood Week episodes, where the contestants stand at the crucial threshold between stardom and oblivion. In the episodes airing this week on Fox, audiences will see the Thunderdome of the Idol experience, when fighting at close range, the field is winnowed down to the final contenders.

Each year after Idol's massive audition tour, between 150 and 200 singers are flown to Hollywood for the final culling before the live semifinals. As heady as the experience is for those called forth, that first thrill is tempered by the fact that for the majority of them, Hollywood Week will be their final stop. After a merciless series of tests, their ranks will be cut down to a mere handful: some years to 36, some, as is the case in this Season 9, to 24.

Step 1: Keeping the Secret
Step 2: The Undercover Journey

Step 3: Checking In

Taylor Hicks, Season 5 winner: You're out in L.A. for the first time—it's a really hectic, crazy week, and you really don't know what to expect.

Step 4: Picking a Solo Song
Upon registration, the singers are given a packet explaining the rules, which includes a list of cleared songs from which they must choose their numbers. They begin to do their first performances in front of the judges since the auditions, and the first wave of singers is sent packing.

Step 5: The Group Performance

After the stress of the solo numbers, those who have made it through immediately have to find partners to prepare for the dreaded group number.

Hicks: Choosing who's in your group, you have to surround yourself with talented people who make you look good. You have to be cognizant and aware the whole time. You have to listen for voices that you like that you want to be in a group with.

Step 6: Packing Your Bags

Step 7: The Process of Elimination

Step 8: The Room-by-Room Group Elimination

On the final day, the producers usually devise one last particular torture for the singers. The singers who remain are divided into several rooms. As they have seen on previous years' episodes, at some point the judges will appear in the room and announce that the entire room has made it through to the next round (The Green Mile or "chair" episodes that follow Hollywood Week) or that the entire room is being eliminated. With that in the balance, they wait and look around the room, attempting to judge, Am I surrounded by winners or losers?


Edited by mouser, Feb 17 2010, 05:43 PM.
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